"Our blacksmith," said Charmian, addressing the moon again, "has known
many women—in books! His knowledge is, therefore, profound!" and she
laughed.
"May I ask why you laugh at me?"
"Oh!" said she, "don't you know that women in books and women out of
books are no more the same than day and night, or summer and winter?"
"And yet there are thousands of women who exist for us in books only,
Laura, Beatrice, Trojan Helen, Aspasia, the glorious Phryne, and hosts
of others," I demurred.
"Yes; but they exist for us only as their historians permit them, as
their biographers saw, or imagined them. Would Petrarch ever have
permitted Laura to do an ungracious act, or anything which, to his
masculine understanding, seemed unfeminine; and would Dante have
mentioned it had Beatrice been guilty of one? A man can no more
understand a woman from the reading of books than he can learn Latin or
Greek from staring at the sky."
"Of that," said I, shaking my head, "of that I am not so sure."
"Then—personally—you know very little concerning women?" she inquired.
"I have always been too busy," said I. Here Charmian turned to look at
me again.
"Too busy?" she repeated, as though she had not heard aright; "too
busy?"
"Much too busy!" Now, when I said this, she laughed, and then she
frowned, and then she laughed again.
"You would much rather make a—horseshoe than talk with a woman,
perhaps?"
"Yes, I think I would."
"Oh!" said Charmian, frowning again, but this time she did not look at
me.
"You see," I explained, turning my empty pipe over and over, rather
aimlessly, "when I make a horseshoe I take a piece of iron and, having
heated it, I bend and shape it, and with every hammer-stroke I see it
growing into what I would have it—I am sure of it, from start to
finish; now, with a woman it is—different."
"You mean that you cannot bend, and shape her, like your horseshoe?"
still without looking towards me.
"I mean that—that I fear I should never be quite sure of a—woman, as
I am of my horseshoe."
"Why, you see," said Charmian, beginning to braid the tress of hair, "a
woman cannot, at any time, be said to resemble a horseshoe—very much,
can she?"
"Surely," said I, "surely you know what I mean—?"
"There are Laura and Beatrice and Helen and Aspasia and Phryne, and
hosts of others," said Charmian, nodding to the moon again. "Oh,
yes—our blacksmith has read of so many women in books that he has no
more idea of women out of books than I of Sanscrit."
And, in a little while, seeing I was silent, she condescended to glance
towards me:
"Then I suppose, under the circumstances, you have never been—in love?"
"In love?" I repeated, and dropped my pipe.
"In love."
"The Lord forbid!"
"Why, pray?"
"Because Love is a disease—a madness, coming between a man and his
life's work. Love!" said I, "it is a calamity!"
"Never having been in love himself, our blacksmith, very naturally,
knows all about it!" said Charmian to the moon.
Public-domain text, read in full here on John Shaqi.
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