The Broken Font: A Story of the Civil War, Vol. 1 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 1 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
Noble himself was mournfully agitated, and prayed in the spirit with
that deep and melancholy fervour which hath no outward expression but
the abased eyes.
By degrees, the congregation recovered their composure, and never was
an anthem performed with more earnest solemnity, or a sweetness more
touching to the inmost soul, than the “_Ne Irascaris_,” the “Be not
Wroth,” or “Bow thine Ear” of the famous composer Bird. At the words
“Sion, thy Sion is wasted and brought low,” which are set to a tender
and solemn passage, and are sung very soft and slow, the effect was
sublime. Moved by the deep pathos of the expression, the cheeks of
Noble, as of a few others present, were bathed in tears.
But the stranger remained in his seat without rising, and perused his
book with a kind of resolved and insulting inattention to it all.
The service was not permitted to close without this mysterious
personage marking his contempt of it yet farther, by rising suddenly,
while all the congregation were on their knees, and stalking slowly
down the middle of the aisle with a loud and measured stamp of his
great thick boots.
He wore by his side a long heavy-looking sword, and had certainly the
air of a man who could use it, if he chose, with little fear and no
favour.
Noble joined the clergy in the chapter-room directly after the morning
prayers were ended, and there learned that there had been a riot the
night before in the streets, excited by some mischievous emissary from
London; and that some of the rabble had burned a bishop in effigy, in
the close just under the windows of the dean. It seemed, however, that
this outrage had been committed by a band of low persons, who had come
up from Bristol to attend a fair, and had brought with them sundry
printed papers and ribald songs to distribute in the lanes and alleys
of the city: the object of which was to bring the church and clergy
into public contempt.
However, it so happens that, for the most part, the inhabitants of a
cathedral town take a great pride in the edifice itself, whatever may
be their indifference to religion. Those magnificent structures are
the first wonders upon which the eyes of the human beings, born and
suckled beneath their shadow, are taught to gaze. They are noble and
solemn features in the scene of early life; and are printed so
indelibly on the mind, that, let the native of a cathedral city wander
where he will, the recollection of the venerable temple goes with him,
associated, in his memory, with his birthplace, his holydays, his
truant hours, with the merry music of festival bells, with the pride
of having often seen strangers and travellers, both of high and low
degree, walk about its walls, and linger in its spacious aisles, with
pleasure and admiration.
Therefore a party among the common people was easily roused to take up
sticks and stones against the insulting mischief-makers, who were thus
at last driven away from the city with great tumult.
Public-domain text, read in full here on John Shaqi.
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