They sung a few of the best madrigals of Orlando Gibbons, and Bird’s rich harmony--“My Mind to me a Kingdom is;”--and they closed with a flowing glee for five voices, from Gibbons, entitled “The Silver Swan.” The summer parlour in which they sung had been found so warm that the casements were half open, and the moonlight streamed in, scarcely overpowered by the lamp, which stood upon the table, and but dimly illuminated the oaken wainscot and ceiling. Except a whispered word, to the one sitting next, on the richness of Bird’s harmonies, or on the delicate and sweet style of Orlando Gibbons, a long and silent pause followed the evening’s performance, and they seemed to be enjoying again in memory what they had just made vocal. Suddenly there stole upon them from among the trees, at a short distance, a simple and soft melody of a most tender expression. It was the music of a pipe or reed, but such as none of the party had ever heard before. The tones were various,--now full and clear; now faint and exquisite; now died away into a charmed stillness; now, again, they were heard slow, chaste, and solemn, as if the burden of the air were some sacred hymn. At last, after ravishing the ears of the astonished party, who stood at the window, or leaned upon their chairs with mute attention, by breathing forth airs of strange harmony, which none could distinctly recognise, the invisible minstrel closed the magical prelude, in heavenly and melancholy notes of surpassing sweetness, with the favourite air of “Now, O now,” by the famous Dowland, the well known friend of the immortal William Shakspeare. Not one of the party observed the sudden paleness and deep agitation of Katharine, while the sweet notes of this beautiful air were sounding in their ravished ears. All were silent, and most of them absorbed in still attention; and Katharine sat back in the shadow of the apartment, so that her countenance was hid. “Methinks it is a spirit,” said Jane Lambert, with a smile. “Nay, if it be,” observed Mistress Alice, “it is a good one, and has been gently bred.--I am sure I felt quite sorry when the last air ceased; and as for poor Master Cuthbert, I never saw any man so affected by music before.--Do you not observe it, Katharine?” “I cannot wonder, because I know that Dowland is a great favourite with him; and that air, played as it was, might affect a person less easily moved than Master Cuthbert.” “Well, Kate,” said Sir Oliver, “after all, it is but some piping stroller, perhaps, that is trudging it to Coventry fair; but, what with moonshine and fancy, you are making an Orpheus of the vagabond,--and I dare to say he would be well pleased to pipe a good fat hen out of the fowl house.”