The Broken Font: A Story of the Civil War, Vol. 1 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 1 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
Although he was fully persuaded that he should be recognised by
Katharine as the wandering musician, yet he was in doubt whether she
would afford him an immediate opportunity of meeting her alone;
therefore he prepared an earnest appeal to her, in characters which,
though enigmatical to others, would, he well knew, be readily
understood by herself. The moon shone that night with so clear a
brightness, that he had no sort of difficulty in executing his design.
He made a slight fancy sketch, on a small piece of paper, of a setting
sun; he introduced the cedar in the fore-ground, and in one corner he
wrote, in a small hand, the Italian word “implora:” on the back of
this paper he faintly sketched a dial-plate, the shadow touching the
figure of seven in the evening. He placed this between the leaves of a
copy of Spenser’s “Fairy Queen,” which he found upon the seat, and
which he remembered to have been the garden companion of his fair
cousin in former days. When, on the following evening, the sun had
set, and the silver light of the moon touched all objects with the
hues of peace, Francis repaired to the appointed spot with eager
steps, and in confident hope that he should once more behold her for
whom he had all that tender reverence which angelic purity could alone
inspire. He seated himself beneath the well-known tree, and saw with
pleasure that the book had been taken away. Katharine, then, had
received his “implora,” and she would not--she could not--disappoint
him, and deny his prayer. The long delay of her coming perplexed him;
and, after an hour of anxious waiting, every succeeding minute was
insupportably slow, and weighty with sadness. He left and resumed his
seat with restless discomposure; he paced the neighbouring bank; he
went into the Lime Walk, to watch for the first glimpse of her distant
form; at last, as he was approaching the cedar tree, with his eyes
bent on the ground, he for the first time observed a fragment of paper
lying near the trunk:--he took it up--it was a part of his note; it
had been torn in halves, and trodden in the dust; it was divided at
the very word “implora.” The change of his feeling was, for the
moment, terrible. All that he had read or heard of the pride, the
caprice, and inconstancy of woman, rushed upon his memory to
strengthen his black suspicions, and inflame his sudden indignation.
But this rage was very soon exhausted, and was succeeded by a sorrow
weak as that of infants. He did not weep,--but a few hot tears slowly
gathered at long intervals, and fell heavily on the earth. And then he
railed upon himself, and defended her neglect of him.
Public-domain text, read in full here on John Shaqi.
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