The Broken Font: A Story of the Civil War, Vol. 2 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 2 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
From the hour of his brother’s untimely death Cuthbert led a life of
crazed care and religious melancholy. He retired to London, but he
avoided all his former acquaintances. He lodged in an obscure alley,
and wandered about during the day without any apparent aim or object,
when not compelled to some slight exertion to provide bread for the
passing day. His resource on these occasions was a Puritan printer, to
whom his Cambridge tutor, now dead, had very favourably introduced him
before the breaking out of the war, and who, from compassion to his
troubled state of mind, gave him such small and easy employments as
might not only contribute to his support but might avail to divert his
melancholy, and to restore the strength of his shattered intellect. He
was not, however, to be engaged in any undertaking which long confined
him at home or to a house. He had become one of those rueful objects,
of which a few may be found in all large cities, and in the fields and
parks in their vicinity. They stray about at will; stand near the
crowded pageant; and though they seem to look upon it earnestly, are
perfectly unconscious whether it is a funereal procession or the lord
mayor’s show. They gaze fixedly at buildings and at persons; but the
former are to them as clouds, and the latter as trees walking. From
frequent and careless exposure to chilling rains, and from his long
fasts and the scantiness and irregularity of his meals, his health had
suffered seriously: he had a settled cough; and he was so emaciated
and altered in the face that hardly any body would have recognised
him. Moreover, the change in his appearance had extended to his
dress, which was old, threadbare, and torn. Such was the melancholy
figure that came into churches, and sat down upon the benches of the
middle aisle, not conscious why he was avoided by the more decent
poor, why none but some Lazarus full of sores would take a seat beside
him. He hung as a blighted leaf upon the social tree,--a sad memento
that man is born to trouble, and that sooner in sorrow, or later in
death, all the leaves must fade.
Public-domain text, read in full here on John Shaqi.
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