The Broken Font: A Story of the Civil War, Vol. 2 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 2 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
“I did not think that bluff old man was a plotter. They told me that
he was turned hunter again; but it is me that they would hunt. My soul
is as a partridge on the mountains: they hunt for the precious
life;--but,” he added (recovering the tone which a gloomy and passing
emotion had discomposed), “it is the Lord: it is he that hath called
me. I am his servant, and no weapon formed against me can prosper.
Who are these that would disturb a peace which the Lord giveth, and
kindle again the fires of a civil war which I have been commanded to
extinguish? and so thou livest near this merry old hunter that would
have my life?”
“My Lord, it is not so: the bishop meddleth not with any public
affairs, and I have never seen him smile since the sad end of his
royal master. No, sir, he doth only hunt for health and diversion of
his mind, which is ever occupied at home in dull cares and grave
studies.”
“That soundeth true of him. I do remember that he was accounted
honest; and that, from his youth, he had a body comely and quick--apt
for that manly sport;--but still, ‘The heart is deceitful above all
things, and desperately wicked: who may know it?’--How long is it
since thy cousin was at Cottesmore?”
“He was never there.”
“Is this true?”
“I would be sorry to utter any thing which might, by possibility, be
proved mistaken; but, to my knowledge, he was never there.”
“And how long, then, is it since you have seen him?”
“It is many years since I have seen him; nor for these two years have
I even heard of him.”
“He was an officer of the Parliament?”
“He was, sir; and was made a colonel of horse, in the second year of
those wars.”
“I remember it. Ere this, he might have written general, and baronet
to boot; but he was hot, and wrong-headed.”
“’Tis better as it is: his heart is right,--and he hath less to answer
for.”
The eyes of Cromwell rested upon the countenance of the majestic
Katharine with severity, and with a surprize that seemed to ask the
meaning of words so strange and cold. But the tone in which they were
uttered, and the sudden mournfulness and abstraction of her gaze, told
him that emotions, both strong and tender, were working in her bosom.
“And your prayer, lady, is that you may be permitted to take leave of
your cousin before his execution?”
“That is my prayer.”
Public-domain text, read in full here on John Shaqi.
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