The Broken Font: A Story of the Civil War, Vol. 2 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 2 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
He had twice been found in the large oak parlour alone,
reading from the Book of Martyrs, which was there chained upon a tall
desk. It is true that on both these occasions he had whistled and
walked away quick; but it was afterwards remembered. Howbeit, at ten
o’clock in the forenoon, there issued from the porch of the franklin’s
old mansion a small party consisting of about eight persons, male and
female: one of the last bore in her arms an infant so folded up and
hidden in a large mantle of thick white woollen, that nothing but a
little outline of the babe could be seen, and not a breath of the keen
wintry wind could penetrate to its tender frame. They moved slowly,
and in a formal order up the long straggling street; and all the
villagers who met them by the way, or looked at them from their doors,
saluted them with bows and good words, but with evident and anxious
wonder. A faithful woodman ventured to go close and whisper to Master
Blount that he was just come in from Axbridge, and saw some of the
rascal Roundheads mustering, and that he heard say, at the Old
Pack-horse Inn, that they were going to march for Wells by the road of
Cheddar. “Well, let them come,” said the franklin; “we are not doing
any thing to be ashamed of: let them see us doing as their forefathers
did before us, and redden in the face for their own falsehood; ‘church
and king’ is an old cry and a good one: out upon the knaves!--God will
defend his own.”
The party went forward; and having reached the churchyard, passed
into the church by the low chancel door, walked down the great aisle,
and turned into the southern transept. Here stood the font; here the
worthy parson awaited them, and his wife also, who was by a promise of
long date to stand as godmother to the child. The old stone font,
round which this pious family were assembled, had long been an object
of great veneration to the inhabitants of Cheddar. It was octagonal in
form, and supported upon a clustered shaft of Purbeck marble. The
compartments on its sides were sculptured with scenes from Holy Writ.
In one was represented the circumcision of Christ; in another the same
blessed Lord was figured in manhood, with a little child in his arms,
and his disciples standing round: through age and injury the subjects
in the other compartments were no longer discernible.
Above the font was a window of painted glass, which, as there was no
light of the sun to illuminate its gorgeous groups, did only present
to the eye a dim cold grandeur;--a grave and visionary glory, through
which, as in the pages of unaccomplished prophecy, might be caught
bright glimpses of pale and celestial faces, and yet garments crimson
withal, as though they had been rolled in blood.
Public-domain text, read in full here on John Shaqi.
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