The Broken Font: A Story of the Civil War, Vol. 2 (of 2)Sherer, Moyle
History
The Broken Font: A Story of the Civil War, Vol. 2 (of 2)
Sherer, Moyle
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
The attention of Sir Roger and the few zealots with him was confined
to the contents of the library: not a few valuables, however, from
other parts of the mansion, were stolen and secreted by the sly rogues
of the squadron. But it so chanced that, as the house was spared, in a
concealed recess, behind a false wainscot, his family plate and a few
heirlooms were preserved. Of five hundred volumes, however, only
three copies of the Bible, also one work in folio, two small thin
quartos, and a heap of loose pamphlets of a controversial nature,
written by Puritans, escaped the sentence of fire. Upon the same pile,
and doomed to blaze in the same flame, were thrown fine copies of the
ancient fathers; the works of sound Protestant divines, and ponderous
lives and legends of Romish saints; the tomes of Bacon, and old
worthless folios on astrology and divination; the plays and poems
produced by the genius of a Shakspeare and a Spenser, and the
interminable and prosaic romances which, in the preceding age, our
ancestors had found leisure and patience to peruse.
During the night, Juxon was confined as a prisoner in one of the
out-houses in his own yard, and, in the morning, he was mounted on a
lean, bony cart-horse, without saddle or bridle, and led by a small
escort to Warwick, where, before he was committed to the gaol of the
Castle, he was subjected to the odious and vile insults of an
examination before a Committee of Religion. Three witnesses appeared
against him: two of these were base knaves from his own parish, and
the third was from Coventry.
Thomas Slugg, the first of these, a lazy hypocrite, who found it
easier to affect the office of an itinerant singer of psalms than to
dig, deposed that Parson Juxon was an enemy to all godly persons, and
a teacher of falsehoods, caring nothing for the souls of his people;
and, as a proof, stated that, when, on one occasion, he, the witness,
had asked him, “whether there were many or few that should be saved?”
he had turned his back upon him, and entered the church saying,--
“What is that to thee? follow thou me.”
Another, who was a turned-off journeyman of the blacksmith’s, deposed
that he saw Parson Juxon one day in a field behind his own garden
casting the bar and hammer; and that he, the parson, threw a bar, and
a heavy stone, and a sledge hammer, and that the smith, and two
farmers, and one Strong, a warrener, threw against him.
The third was no other than the witch-finder from Coventry, who swore
that the parson consorted with dealers in magic and the black art;
that books on those arts were found in his house, and burned (this was
confirmed eagerly by some of the escort), and that he even kept in his
pay and service a notorious witch named Yellow Margery.
Juxon listened to these charges with a grave smile, and made no reply.
Hereupon one of the commissioners observed, in great wrath,--
Public-domain text, read in full here on John Shaqi.
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