Illegitimate children -- Fiction; Mothers and sons -- Fiction; Villages -- Fiction
The two women in Judge Henderson's office sat still in the sultry heat,
looking out of the window over the sultry, sordid, solemn little town;
how long they did not know; until now there came again across the
heat-hazy spaces of the maples, over the hot tops of the two-storied
brick buildings, the sound of the wailing music--the same music which
may come from the noblest organs of the world, the same music which may
have pealed on fields of battle after heroes have fallen, speaking, as
music may, of a soul passed, of a life ended, so soon to be forgot. For
a time let the wailing of the horns, the tapping even of these unskilled
drums, record the duty of this man's fellows to give him at least a
moment's full remembrance.
In this hot lifeless air of the somber Sabbath afternoon the burden of
sorrow, the weight of solemnity, seemed yet heavier and more oppressive.
If a soldier dies the music plays some lilting air which speaks
forgetfulness on the march home; but now, for the second time came this
reiterated mournful wailing for a passing soul. The band had learned its
lesson by now. The dirge for the dead arose in a volume well regulated
and sustained as the men marched from the hall at last for the final
trial on the street.
To the tapping rhythm of the anthem of the dead, sometimes such a
community as this does take thought--these uniforms are justified, these
white plumes, these reversed swords are justified; for an humble man who
has passed is dignified before his fellow men; and he has had his
tribute. Sometimes at least men thus stand shoulder to shoulder, heads
bared, and forget envy, backbiting, little jealousies, forget cynicism
and ridicule. The diapason of the drums surely had its hearing. It sank
deep to the soul of Aurora Lane, striking some chord long left
unresponsive.
"Anne!" said she, her hand lying in that of the wet-eyed girl at her
side, "it's over--for him."
The girl nodded. But after all, Anne was young. She raised her head in
the arrogance of youth, even as there passed more and more remotely the
mournful cadence of the drums.
"But he was old!" she said, defensively. All of youth and hope was in
her protest.
Aurora turned upon her her own large eyes, dark-ringed today. Her mouth,
long drawn down in resolution, was wondrous sweet now as it trembled a
little in its once ripe red fulness. It became the mouth of a young
woman--not made for sorrow. "You still can hope, then?" she smiled. And
Anne nodded, bravely. So, seeing replica of her own soul, Aurora Lane
could do no more nor less than to fold her in her own arms, the two
understanding perfectly a thousand unsaid things.
"But come!" said Anne Oglesby at last. "We must make plans. There's a
lot to be done yet, and we must start."
"I have no money," said Aurora Lane. "I don't know what to do."
Public-domain text, read in full here on John Shaqi.
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