Here was the bride, a very spare lady in the forties, with fishy eyes
and gold spectacles. Here was the groom, as black as an antarctic
midnight, reposing uncomfortably in a celluloid collar that cut a
transverse line through both cheeks, dressed in blue uniform with yellow
epaulets upon his shoulders as large as sunflowers; here were the bats
and owls, human earth burrowers, who were not wanted at the wedding
supper, peeping slyly in the windows; here was Mrs. Parthenia Wiggins
in silks and satins, and her lord in satins and silks; here was Joshua
an octogenarian in regimentals, looking like a revolutionary drum major
in masquerade, greeting the happy hostess with the exclamation:--"Pend
pon it, your ladyship, I smelt dat barbeku clean clar to my house fore
it was kilt," pausing now and then in his circuit around the supper
table, to cut "de pigon whing;" here was old Hannah, in hoops and
frills, "er following Joshua, frustated lak, kase some gal or udder mout
run erway wid him unbeknownist to her;" here was old Ned "er settin in
der chimney corner all by his lone lorn sef;" and then here was a
skeleton at the feast, a spectre at the banquet, who greeted neither
host, groom or bride----a living knight of the "White Camelia." Then
there was a pause; then there was a proclamation by the host: "All hands
eround fur de fust kertillien," and there was a voluntary shuffling of
slippered, sandalled and booted feet. Then the music struck up and all
went merry as a marriage bell. Castanets and cymbals, cornets and
trombones, distributed huge chunks of melody, chopped off the "Star
Spangled Banner," "Rally around the flag boys," "The Girl I left behind
me," and "Brudder Ephrum got de coon and gone on."
As the dance went on and on in the great hall the Kuklux slipped out of
the shadows and into the parlor and concealed himself behind the
embowered altar. Ned, at his suggestion, stole into the dining room, and
taking the cover off of the basted pig, brought it out and gave it to
the hideous creature, and still the dance went on. With uplifted hand
Mr. Wiggins cried "Tention ladies und gemman's. All you who's inwited to
the weddin follow me to the parlor," and the band struck up "Johnny get
your gun." "Come parson, you shassay in fust," and the parson struck
out in an Irish reel, and the crowd followed like flotsam upon a current
of water, tossing here and there, up and down, automatically, to the
music.
"Now breddin und sistern," exclaimed the parson in a nasal sing-song,
"range erlong side de haltar whilst I spaciate upon dis weddin. Now den,
fustly und foremustly, who gin dis bride away?"
"I does" replied Mr. Wiggins, pompously stepping to the front.
Public-domain text, read in full here on John Shaqi.
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