A wedding at St George's, Hanover Square, is frequently an impressive
ceremony. On the day of Raife's wedding there was more than the usual
crowd of bystanders. The church was filled with a smartly-dressed
number of society women and men. There were no white horses, but a
Rolls-Royce and a Mercedes car took their place. The pages, dressed in
the Tudor costume of the period of Edward the Sixth, were there, and a
throng of people who represented many grades of the peerage. Hilda was
dressed as the best Court dressmakers of London, alone, can dress a
woman for an occasion. Raife, with the help of a Cork Street tailor,
was immaculate, and his best man was Edward Mutimer, his old college
chum, who was with him on the front at Southport when he met Gilda
Tempest for the first time.
The ceremony of marriage was complete. The choir had sung. The
organist had played the Bridal March from "Lohengrin." It was not an
occasion for Mendelssohn's Wedding March. The rice had been thrown and
the gaping crowd of onlookers were satisfied. Raife and Hilda were
alone, for a few moments, in the Rolls-Royce car. They were the
briefest moments of his short lifetime. They did not talk, for there
was too much cause for thought.
Smartest among the well-dressed women in St George's, Hanover Square,
was Gilda Tempest. It was not hard, with the confidence and skill which
had served her on so many occasions, for Gilda to join the guests who
were invited to the reception that followed the wedding. The occasion
was quite conventional, and Hilda had left to prepare for departure on
the honeymoon. Every one was chatting merrily and Raife was leaving the
room, when, to his intense surprise, he was confronted by Gilda.
"You here?" he exclaimed.
"Yes, Raife. I am here. I must talk to you, I am so sad--so alone.
Let me talk to you. It will probably be the last time. Let me talk to
you--"
Unobserved by the merry crowd of guests who were bandying commonplaces
to the sipping of champagne and various wines, Raife led Gilda into a
conservatory which overlooked a drab old London garden--or backyard,
with a lilac bush in full blossom.
Raife spoke harshly: "What do you want? Why do you come here, to-day?--
to-day of all days! Why do you come here?"
Gilda Tempest spoke. In short, staccato accents she said: "Raife!
Raife, I must speak to you. You are the only person in this wide world,
to whom I can speak. Let me speak to you. Raife! I must talk, just
for the briefest while."
All the old and strange fascination of this extraordinary girl returned.
Raife stood entranced by this absorbing figure. The scene that
followed was unparalleled in the history of a wedding-day. Her beauty
had returned to her. She was no longer haggard, and there were no lines
to mar her face. Her whole soul appealed to him, and, in spite of all
the conventions, he responded.
Raife Remington fell--and fell in a most inconceivable manner.
Public-domain text, read in full here on John Shaqi.
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