Raife was worried and said, rather impatiently: "Yes, Edgson," then
smiling a forced smile, added: "What is it this time?"
Closing the door, and looking around with an air of mystery, the old
servant almost whispered: "Do you remember the night, sir, in last
September, when I saw the light in the library, and I had the house
surrounded?"
"Yes," interrupted Raife, irritably. "What about it?"
The old man, once started, was not to be waved aside: "Well, sir, one of
the under-gardeners, Hodgson, it was. He was at work among the
rhododendrons, and he picked up a long piece of silk rope."
Raife cut him short, saying: "Yes, I know, where is it?"
The old man stared at this outburst, and said: "He handed it to me,
sir."
"Did he; and have you mentioned it to anyone, else?"
With a sly look, that bordered as nearly on a wink as his well-trained
discretion would allow, the old man replied, "No, Sir Raife, I have the
rope. I gave him half a crown and told him to mind that we didn't want
no gabblers round Aldborough Park."
"Quite right, Edgson, you acted very wisely. I'll tell you all about
it, perhaps, some day."
"Perhaps" is always useful, in qualifying a promise. Producing a
sovereign-purse, he extracted two sovereigns and handing them to Edgson,
said: "Do what you like with these, Edgson. I suggest you give the man,
Hodgson, one."
Edgson bowed low. "Very good, Sir Raife, I'll carry out your
instructions."
When the old man had finally gone, Raife mixed himself another whisky
and soda, and cursed with a freedom that was not customary with him.
This contretemps was more tangible than the others, and it was the
fourth incident or train of unpleasant thoughts that had been forced on
him, on this the joyful day, when he had brought Hilda to his home. He
was not superstitious, but his nerves were affected by the sequence of
events. Did they spell disaster?
The spring day had ended in an unusually warm moonlight night. After
dinner they walked on to the terrace and sauntered up and down. Hilda's
happiness was very great, and unmarred by doubt or foreboding. "The
other woman" was not in her thoughts. She surveyed the ornamental
flower beds which, even in this light, showed the wealth of blossom.
She had already examined, at close quarters, the old sundial and the
quaint-carved stone figures around the lily pond, with a fountain in the
centre, with sleepy old carp gliding through the dark shadows of its
waters. At length, they decided it was warm enough to sit in the chairs
that had been brought from some mysterious corner where they had rested
through the long winter time.
Public-domain text, read in full here on John Shaqi.
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