It was in a letter, written about this time that Mrs. Gaskell found the first mention of a succession of curates who henceforth revolved round Haworth Parsonage. Three years earlier Mr. Brontë had sought aid from the 'Additional Curates' Society,' or some similar institution, and was provided at once with assistance. The increasing duties of his chapelry had rendered this step necessary. It would seem also that a curate was appointed to Stanbury, while another became master of the National or Grammar School. These gentlemen were not infrequent in their visits to the parsonage, and they varied the life of its inmates, sometimes one way and sometimes another. This circumstance, at the same time, provided Charlotte Brontë with those living studies which she did not fail afterwards to remember in her delineation of the three curates in 'Shirley.' Emily, on the other hand, invariably avoided these gentlemen. The arrival of the curates at Haworth was the occasion of increased activity in the affairs of the chapelry; and, the church-rate question being uppermost at this juncture, the new-comers entered into a crusade against the Dissenters who had refused to pay church-rates. Charlotte wrote a long letter in which she spoke of a violent public meeting held at Haworth about the affair, and of two sermons against dissent--one by Mr. W. a 'noble, eloquent, high-church, apostolical-succession discourse, in which he banged the Dissenters most fearlessly and unflinchingly;' the other by Mr. C., a 'keener, cleverer, bolder, and more heart-stirring harangue,' than Charlotte, perhaps, had ever heard from the Haworth pulpit. She, however, did not entirely agree with either of these gentlemen, and thought, if she had been a Dissenter, she would have 'taken the first opportunity of kicking or of horse-whipping both.' In the winter of 1839-40, Charlotte employed her leisure in the composition of a story which she had commenced on a scale commensurate with one of Richardson's novels of seven or eight volumes. Mrs. Gaskell saw some fragments of the manuscript, written in a very small hand: but she was less solicitous to decipher it, as Charlotte had herself condemned it in the preface to 'The Professor.' Branwell, to whom she submitted it, seems to have understood, at the time, that in its florid style of composition she was working in opposition to her genius, and he told her she was making a mistake. It appears not unlikely that Branwell was himself similarly engaged on prose writing when he gave her this opinion. A few months later, however, Charlotte resolved to send the commencement of her tale to Wordsworth, and that an unfavourable judgment was the result, for which she was not altogether unprepared, may be gathered from the following letter she addressed to the poet:--