The Brontë Family, with special reference to Patrick Branwell Brontë. Vol. 1 of 2Leyland, Francis A.
History
The Brontë Family, with special reference to Patrick Branwell Brontë. Vol. 1 of 2
Leyland, Francis A.
Authors, English -- 19th century -- Biography; Brontë family; Brontë, Patrick Branwell, 1817-1848
Branwell's letter to Wordsworth is, for the most part, well written,
and breathes an eager spirit, which shows the anxiety he was under to
know the opinion of a high and competent judge as to how he stood
with the Nine. It tells us the ardour with which he read and wrote,
the ambitious turn of his mind, and the special aims which he then
had in the literary world. But the verses, although imbued with a
fervent spirit of early piety, were such as Wordsworth could not
justly review without giving discouragement, and it seems probable he
preferred to keep silence rather than, by an open avowal, to give
pain--if pain must be given--as the lesser evil of the two. Or,
perhaps, he took amiss the ready frankness and apparent self-esteem
which, notwithstanding the disavowal, would probably seem present to
him in the letter of the young stranger who addressed him, without
sending any evidence of the powers of which he expressed himself so
confidently. But, at any rate, Mrs. Gaskell informs us that the
letter and verses were preserved by the poet till the Brontës became
celebrated, and that he gave the communication to his friend, Mr.
Quillinan, in 1850, when the real name of 'Currer Bell' became known.
It must not be overlooked that, in the verses which Mrs. Gaskell has
printed, we have no opportunity of studying Branwell's dramatic
powers, which apparently found scope in the poem he had written. In
them is no development of the effect of the passionate feelings which
Branwell describes: 'struggling with a high imagination and acute
feelings,' and ending 'in mental misery and bodily ruin.'
However, discouraged by long waiting, or assisted by friendly advice
and criticism, he toiled on in silence at his literary work, as he
did at art. The year 1837 turned out an important one for Charlotte.
In March, she at last received the answer from Southey, which she
considered a 'little stringent,' and from which she declared she had
derived good. She says, in her reply to the Laureate, 'I trust I
shall never more feel ambitious to see my name in print.... That
letter is consecrated; no one shall ever see it, but papa, and my
brother and my sisters.'
Public-domain text, read in full here on John Shaqi.
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