The Brontë Family, with special reference to Patrick Branwell Brontë. Vol. 2 of 2Leyland, Francis A.
History
The Brontë Family, with special reference to Patrick Branwell Brontë. Vol. 2 of 2
Leyland, Francis A.
Authors, English -- 19th century -- Biography; Brontë family; Brontë, Patrick Branwell, 1817-1848
'I shall write more at length (Deo Volente) on matters of much
importance to me, but of little to yourself.
'Yours in the bonds,
'SANCTUS PATRICIUS BRANWELLIUS BRONTËIO.'
With the foregoing letter, Branwell enclosed a page containing three
spirited sketches. The first is a scene in which the sculptor and
Branwell are the principal actors. They are seated on stools, facing
one another, each holding a wine glass, and, between them on the
ground, is a decanter. Behind the sculptor is placed the mutilated
statue of Theseus. A copy of Cowper's 'Anatomy' is open at the
title-page; and, leaning over it, is a figure of Admodeus, Setebos, or
some other winged imp, taking sight at the two. The second sketch is
of Branwell himself, represented as a recumbent statue, resting on a
slab, under which are the following mournful lines:--
'Thy soul is flown,
And clay alone
Has nought to do with joy or care;
So if the light of light be gone,
There come no sorrows crowding on,
And powerless lies DESPAIR.'
The third drawing is a landscape, having in the foreground a
head-stone, with a skull and crossbones in the semi-circular head. On
the stone are carved the words, HIC JACET. Distant peaked hills bound
the view. Two pines are to the right of the picture, and the crescent
moon, which represents a human profile, is accommodated with a pipe.
Underneath it is inscribed the sentence:
'MARTINI LUIGI IMPLORA ETERNA QUIETE!'
The following letter, written to Leyland a little later, shows again
the stormy perturbations of Branwell's mind. He still clings to the
fond imagination that he is the object of the lady's unwavering
devotion; and, with the incoherency of the monomania with which he
continues to be afflicted, he solemnly declares to the sculptor that
he had said to no one what he is then saying to him; while, in truth,
he was telling the story of his disappointed hopes to all who would
hear the recital. The theme is that of a wild, eager, and unavailing
love--whose joys and sorrows he tells in vivid words--which he
believes to be returned with equal energy and passion.
'MY DEAR SIR,
'I am going to write a scrawl, for the querulous egotism of which
I must entreat your mercy; but, when I look _upon_ my past,
present, and future, and then _into_ my own self, I find much,
however unpleasant, that yearns for utterance.
Public-domain text, read in full here on John Shaqi.
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