Bible. New Testament -- History of Biblical events -- Fiction; Biographical fiction; Jesus Christ -- Fiction
were about to pass it without examination when a wailing voice from one
of the turrets brought them to a standstill. They were not at first
certain whether the wailing sound was the voice of the wind or a human
voice, but they had hearkened and with difficulty had separated the
doleful sound into: woe! woe! woe! unto thee Jerusalem, woe! woe! It
sounds to me, Peter said, like one that is making a mock of thee,
Master. Having heard that thou foretellest woe to Chorazin---- But
Judas, seeing a cloud gathering on Peter's face, nudged Peter, and the
twain went up together and some minutes after returned with a half-naked
creature, an outcast whom they had found crouching like a jackal in a
hole among the stones, one clearly possessed by many devils. Now as all
were in wonder what his history might be, a swineherd passing by at the
time told them how the poor, naked creature would take a beating or a
gift of food for his singing with the same gentle grace. The words had
hardly passed the swineherd's lips than the possessed began to sing:
Woe! woe! woe! the winds are wailing.
The four great sisters, the winds of the world,
Call one to the other, and it is thy doom
They are calling, Jerusalem.
Woe! woe! woe!
The North brings ruin, the South brings sorrow,
The East wind grief, and the West wind tears
For Jerusalem.
Woe! woe! woe!
And he sung this little song several times, till the hearts of the
disciples hardened against the outcast and they were minded to beat him
if he did not cease; but the swineherd warned them that a surer way to
silence him was by giving him some food; and while he stood by eating,
the swineherd confided the story of the fool, or as much of it as he
knew, to Jesus. The fool, he said, came from Jerusalem some two years
ago. He had been driven out of the Temple, which he frequented daily,
crying about the courts the song with which he wearied you just now,
till the most patient were unable to bear it any longer; and every time
he met a priest he looked into his face and sang: woe! woe! woe! unto
Jerusalem, and whenever he met a scribe he would cry: woe! woe! woe!
unto Jerusalem, hindering them in their work about the Temple. Some
stones were thrown, but enough life was left in him to crawl away, and
as soon as he recovered from his wounds he was about again, singing his
melancholy ditty (he knows but one). He was told if he did not cease he
would be beaten with rods, but he could not cease it, and started his
ditty again as soon as he could bear a shirt on his back; and then he
must have travelled up here afoot, picking up a bit here and a bit
there, getting a lift in an ox-cart. He is without memory of anything,
who he is, where he came from, or who taught him his song. He does not
know why he chose that broken tower for a dwelling, nor do we, but
fortunately it stands in a waste. We hear him singing as we go by to our
work and pitch him scraps of food from time to time.
Public-domain text, read in full here on John Shaqi.
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