"Then I beseech you to have no dealing with the being whose vile
accents I heard but a moment ago. A man of depraved instincts and
profligate ways, he is no fit companion for a young and innocent girl.
Moreover, viper-like, he bears malice towards us, who have shielded him
for years."
"How awful," said the girl.
"Yes," said Berry, "for your own sake, dear lady, beware of him. And
for ours, too, I beg you. On no account accept his proffered
assistance--in the matter of the key, I mean. If he really has
matches, tell him to throw them in. Adopt a hectoring tone and he will
fear you. But, remember, he is as cunning as a serpent, Let but that
key fall into his hands--"
"Wait till it's fallen into your own hands, old cock," said I.
"Dear lady," said Berry, "you hear his ribald--"
The rest of the sentence was drowned in the peals of laughter to which
my companion at last gave vent. I joined her, and the meadow resounded
with our merriment. When we had recovered a little:
"Will you have the matches?" said I, standing beneath the window, "or
shall I send for the battering ram?"
"Throw them in, fathead," said my brother-in-law.
"Ask nicely, then."
"I'll see you--"
"Please, Boy, dear," cried Jill.
I laughed and pitched the box into the kitchen. The next second we
heard a match struck, and the groping sounds recommenced. The girl and
I strolled a little back from the window and stood, awaiting the key.
"So it's all come true," said I, looking at her.
"What has?"
"The fairy tale." I pointed to the kitchen. "There is the copper
castle, and here"--with a bow--"the pretty Princess. The tinder-box I
have just thrown to my companions."
"And I suppose you're the soldier," she said slowly.
"Yes," I said, "the common soldier."
"Common?"
"Yes, dear," I said, taking her hand. "Common, but thorough;
thoroughly common, but uncommonly thorough. And now look at me, pretty
Princess."
She turned a laughing face to mine. Suddenly, as I bent forward, the
eyes flashed.
"I suppose this is the little smile's fault, too," she said quietly.
Instantly I released her hand and stood up, smiling.
"No," I said gently. "It would have been the soldier's."
For a moment she smiled back. Then she slipped an arm round my neck.
"Let's call it Hans Andersen's," she whispered.
A perfect Babel arose suddenly from the kitchen. In the midst of the
turmoil I seemed to discern Berry's fat laugh. The next second a large
key hurtled through the window.
I picked it up and strode to the door. When I had put it into the
keyhole, I paused.
"Buck up, Boy!" said Berry.
"One question," said I. "Where was the key?"
"Where d'you think?" said Jonah bitterly.
"In his pocket all the time?" said I.
"Right," said Berry. "Now do your worst."
"I'm going to," said I. "I'm going to let you out."
CHAPTER VII
EVERY PICTURE TELLS A STORY
The front door banged. Followed quick steps on the steep, uncarpeted
stairs, and a knock on the studio's door.
Public-domain text, read in full here on John Shaqi.
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