"Come in," said I. The door opened and a girl in a lilac dress swept into the room. "I'm afraid I'm awfully la--O-o-oh!" she said. "If it isn't her!" said I. For a moment we stood looking at one another with big eyes. Then: "Where's Mr. Larel?" she demanded. "He'll be here in a moment. Won't you sit down? He and I are old friends." She smiled. "I know," she said. "He's told me--" "The devil he has," said I. A little peal of laughter. "As I feared," said I. "My dear, you've been misled. Yes. That over there is a chair. It cost three and ninepence in the King's Road. Local colour, you know. He's putting it in his new picture, 'Luxury'." Still smiling, she took her seat. Then: "He said you were awful," she said. Till a fortnight ago, I had not seen George Larel for quite five years. Not since we had been at Oxford together. When he went down, he left England, to study, I understood. He always drew rather well. Then one spring morning I struck him in Piccadilly, by the railings of the Green Park. He was standing still, a large, blue air-ball in his hand, steadfastly regarding the Porters' Rest. Our greeting was characteristic. "Well, George," said I. He looked round. "Hullo, old chap." He pointed to the Rest. "Rather nice, that. Pity there aren't more. Why didn't they keep the Pike at Hyde Park Corner?" I shrugged my shoulders. "I begged them to," said I. "But you know what they are." George looked at me critically. Then: "That's a good hat," he said. "I'd like to paint you just as you are." He stepped back and half closed his eyes. "Yes, that'll do. When can you come? I always said I would, you know," he added. "You're very good, George. Come to the club and--" He shook his head. "We'll talk, when you come. I've got to go to Richmond now." He pointed to the air-ball. "There was a child there yesterday, playing in the Park, with eyes--I've only seen their like once before. That was in Oporto." He sighed. "Will you come to-morrow at eleven? Cheyne Row. I forget the number, but it's got a green door." "I'd love to." He hailed a taxi. "That's right, then." He turned to the driver. "Go to Richmond," he said, opening the door. As it moved, he put his head out of the window. "Mind you wear that hat, old boy." The next morning I had my first sitting. It was a great success. There was much to say, and we talked furiously for three hours. And all the time I sat still upon the throne, and George painted. About his work he said little, but I gathered that he had begun to do well. He mentioned that he had had two or three commissions.