Eight o’clock was striking from the convent of the Visitation, the clock
of the quarter, when the inquisitive Godefroid tapped gently at his
neighbor’s door. Auguste opened it. As it happened to be a Saturday, the
young lad had his evening to himself. Godefroid beheld him in a little
sack-coat of black velvet, a blue silk cravat, and black trousers. But
his surprise at the youth’s appearance, so different from that of this
outside life, ceased as soon as he had entered the invalid’s chamber. He
then understood the reason why both father and son were well dressed.
For a moment the contrast between the squalor of the other rooms, as he
had seen them that morning, and the luxury of this chamber, was so great
that Godefroid was dazzled, though habituated for years to the luxury
and elegance procured by wealth.
The walls of the room were hung with yellow silk, relieved by twisted
fringes of a bright green, giving a gay and cheerful aspect to the
chamber, the cold tiled floor of which was hidden by a moquette carpet
with a white ground strewn with flowers. The windows, draped by handsome
curtains lined with white silk, were like conservatories, so full were
they of plants in flower. The blinds were lowered, which prevented this
luxury, so rare in that quarter of the town, from being seen from the
street. The woodwork was painted in white enamel, touched up, here and
there, by a few gold lines.
At the door was a heavy portiere, embroidered by hand with fantastic
foliage on a yellow ground, so thick that all sounds from without were
stifled. This magnificent curtain was made by the sick woman herself,
who could work, when she had the use of her hands, like a fairy.
At the farther end of the room, and opposite to the door, was the
fireplace, with a green velvet mantel-shelf, on which a few extremely
elegant ornaments, the last relics of the opulence of two families,
were arranged. These consisted of a curious clock, in the shape of an
elephant supporting on its back a porcelain tower which was filled with
the choicest flowers; two candelabra in the same style, and several
precious Chinese treasures. The fender, andirons, tongs, and shovel were
all of the handsomest description.
The largest of the flower-stands was placed in the middle of the room,
and above it hung a porcelain chandelier designed with wreaths of
flowers.
Public-domain text, read in full here on John Shaqi.
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