“Ah! what a night I shall pass! a definitive decision! My daughter cured
or doomed!”
“Courage!” said Godefroid; “after tea come out with me.”
“My child, my child, don’t play any more,” said the old man; “you
will bring on an attack; such a strain upon your strength must end in
reaction.”
He made Auguste take away the instrument and offered a cup of tea to his
daughter with the coaxing manner of a nurse quieting the petulance of a
child.
“What is the doctor like?” she asked, her mind already distracted by the
prospect of seeing a new person.
Vanda, like all prisoners, was full of eager curiosity. When the
physical phenomena of her malady ceased, they seemed to betake
themselves to the moral nature; she conceived the strangest fancies, the
most violent caprices; she insisted on seeing Rossini, and wept when her
father, whom she believed to be all powerful, refused to fetch him.
Godefroid now gave her a minute account of the Jewish doctor and his
study; of which she knew nothing, for Monsieur Bernard had cautioned
Auguste not to tell his mother of his visits to Halpersohn, so much had
he feared to rouse hopes in her mind which might not be realized.
Vanda hung upon Godefroid’s words like one fascinated; and she fell into
a sort of ecstasy in her passionate desire to see this strange Polish
doctor.
“Poland has produced many singular, mysterious beings,” said Monsieur
Bernard. “To-day, for instance, besides this extraordinary doctor, we
have Hoene Wronski, the enlightened mathematician, the poet Mickievicz,
Towianksi the mystic, and Chopin, whose talent is supernatural. Great
national convulsions always produce various species of dwarfed giants.”
“Oh! dear papa; what a man you are! If you would only write down what we
hear you say merely to amuse me you would make your reputation. Fancy,
monsieur, my dear old father invents wonderful stories when I have no
novels to read; he often puts me to sleep in that way. His voice
lulls me, and he quiets my mind with his wit. Who can ever reward him?
Auguste, my child, you ought for my sake, to kiss the print of your
grandfather’s footsteps.”
The young man raised his beautiful moist eyes to his mother, and the
look he gave her, full of a long-repressed compassion, was a poem.
Godefroid rose, took the lad’s hand, and pressed it.
“God has placed two angels beside you, madame,” he said.
“Yes, I know that. And for that reason I often reproach myself for
harassing them. Come, my dear Auguste, and kiss your mother. He is a
child, monsieur, of whom all mothers might be proud; pure as gold, frank
and honest, a soul without sin--but too passionate a soul, alas! like
that of his poor mother. Perhaps God has fastened me in this bed to
keep me from the follies of women--who have too much heart,” she added,
smiling.
Godefroid replied with a smile and a bow.
“Adieu, monsieur; and thank your friend for the instrument; tell him it
makes the happiness of a poor cripple.”
Public-domain text, read in full here on John Shaqi.
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