But during yesterday’s scene with Grushenka another idea had struck him. The word “lacerating,” which Madame Hohlakov had just uttered, almost made him start, because half waking up towards daybreak that night he had cried out “Laceration, laceration,” probably applying it to his dream. He had been dreaming all night of the previous day’s scene at Katerina Ivanovna’s. Now Alyosha was impressed by Madame Hohlakov’s blunt and persistent assertion that Katerina Ivanovna was in love with Ivan, and only deceived herself through some sort of pose, from “self-laceration,” and tortured herself by her pretended love for Dmitri from some fancied duty of gratitude. “Yes,” he thought, “perhaps the whole truth lies in those words.” But in that case what was Ivan’s position? Alyosha felt instinctively that a character like Katerina Ivanovna’s must dominate, and she could only dominate some one like Dmitri, and never a man like Ivan. For Dmitri might at last submit to her domination “to his own happiness” (which was what Alyosha would have desired), but Ivan—no, Ivan could not submit to her, and such submission would not give him happiness. Alyosha could not help believing that of Ivan. And now all these doubts and reflections flitted through his mind as he entered the drawing-room. Another idea, too, forced itself upon him: “What if she loved neither of them—neither Ivan nor Dmitri?” It must be noted that Alyosha felt as it were ashamed of his own thoughts and blamed himself when they kept recurring to him during the last month. “What do I know about love and women and how can I decide such questions?” he thought reproachfully, after such doubts and surmises. And yet it was impossible not to think about it. He felt instinctively that this rivalry was of immense importance in his brothers’ lives and that a great deal depended upon it.