Brothers -- Fiction; Didactic fiction; Fathers and sons -- Fiction; Russia -- Social life and customs -- 1533-1917 -- Fiction
Fyodorovitch might come, too, so I must let him know he is near. His
honor is awfully afraid of Dmitri Fyodorovitch, so that even if
Agrafena Alexandrovna had come and were locked in with him, and Dmitri
Fyodorovitch were to turn up anywhere near at the time, I should be
bound to let him know at once, knocking three times. So that the first
signal of five knocks means Agrafena Alexandrovna has come, while the
second signal of three knocks means ‘something important to tell you.’
His honor has shown me them several times and explained them. And as in
the whole universe no one knows of these signals but myself and his
honor, so he’d open the door without the slightest hesitation and
without calling out (he is awfully afraid of calling out aloud). Well,
those signals are known to Dmitri Fyodorovitch too, now.”
“How are they known? Did you tell him? How dared you tell him?”
“It was through fright I did it. How could I dare to keep it back from
him? Dmitri Fyodorovitch kept persisting every day, ‘You are deceiving
me, you are hiding something from me! I’ll break both your legs for
you.’ So I told him those secret signals that he might see my slavish
devotion, and might be satisfied that I was not deceiving him, but was
telling him all I could.”
“If you think that he’ll make use of those signals and try to get in,
don’t let him in.”
“But if I should be laid up with a fit, how can I prevent him coming in
then, even if I dared prevent him, knowing how desperate he is?”
“Hang it! How can you be so sure you are going to have a fit, confound
you? Are you laughing at me?”
“How could I dare laugh at you? I am in no laughing humor with this
fear on me. I feel I am going to have a fit. I have a presentiment.
Fright alone will bring it on.”
“Confound it! If you are laid up, Grigory will be on the watch. Let
Grigory know beforehand; he will be sure not to let him in.”
Public-domain text, read in full here on John Shaqi.
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