Brothers -- Fiction; Didactic fiction; Fathers and sons -- Fiction; Russia -- Social life and customs -- 1533-1917 -- Fiction
“What murderer? As though you didn’t know! I’ll bet you’ve thought of
it before. That’s interesting, too, by the way. Listen, Alyosha, you
always speak the truth, though you’re always between two stools. Have
you thought of it or not? Answer.”
“I have,” answered Alyosha in a low voice. Even Rakitin was taken
aback.
“What? Have you really?” he cried.
“I ... I’ve not exactly thought it,” muttered Alyosha, “but directly
you began speaking so strangely, I fancied I had thought of it myself.”
“You see? (And how well you expressed it!) Looking at your father and
your brother Mitya to-day you thought of a crime. Then I’m not
mistaken?”
“But wait, wait a minute,” Alyosha broke in uneasily. “What has led you
to see all this? Why does it interest you? That’s the first question.”
“Two questions, disconnected, but natural. I’ll deal with them
separately. What led me to see it? I shouldn’t have seen it, if I
hadn’t suddenly understood your brother Dmitri, seen right into the
very heart of him all at once. I caught the whole man from one trait.
These very honest but passionate people have a line which mustn’t be
crossed. If it were, he’d run at your father with a knife. But your
father’s a drunken and abandoned old sinner, who can never draw the
line—if they both let themselves go, they’ll both come to grief.”
“No, Misha, no. If that’s all, you’ve reassured me. It won’t come to
that.”
“But why are you trembling? Let me tell you; he may be honest, our
Mitya (he is stupid, but honest), but he’s—a sensualist. That’s the
very definition and inner essence of him. It’s your father has handed
him on his low sensuality. Do you know, I simply wonder at you,
Alyosha, how you can have kept your purity. You’re a Karamazov too, you
know! In your family sensuality is carried to a disease. But now, these
three sensualists are watching one another, with their knives in their
belts. The three of them are knocking their heads together, and you may
be the fourth.”
“You are mistaken about that woman. Dmitri—despises her,” said Alyosha,
with a sort of shudder.
“Grushenka? No, brother, he doesn’t despise her. Since he has openly
abandoned his betrothed for her, he doesn’t despise her. There’s
something here, my dear boy, that you don’t understand yet. A man will
fall in love with some beauty, with a woman’s body, or even with a part
of a woman’s body (a sensualist can understand that), and he’ll abandon
his own children for her, sell his father and mother, and his country,
Russia, too. If he’s honest, he’ll steal; if he’s humane, he’ll murder;
if he’s faithful, he’ll deceive. Pushkin, the poet of women’s feet,
sung of their feet in his verse. Others don’t sing their praises, but
they can’t look at their feet without a thrill—and it’s not only their
feet. Contempt’s no help here, brother, even if he did despise
Grushenka. He does, but he can’t tear himself away.”
“I understand that,” Alyosha jerked out suddenly.
Public-domain text, read in full here on John Shaqi.
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