Brothers -- Fiction; Didactic fiction; Fathers and sons -- Fiction; Russia -- Social life and customs -- 1533-1917 -- Fiction
Dmitri led his brother to the most secluded corner of the garden.
There, in a thicket of lime-trees and old bushes of black currant,
elder, snowball-tree, and lilac, there stood a tumble-down green
summer-house, blackened with age. Its walls were of lattice-work, but
there was still a roof which could give shelter. God knows when this
summer-house was built. There was a tradition that it had been put up
some fifty years before by a retired colonel called von Schmidt, who
owned the house at that time. It was all in decay, the floor was
rotting, the planks were loose, the woodwork smelled musty. In the
summer-house there was a green wooden table fixed in the ground, and
round it were some green benches upon which it was still possible to
sit. Alyosha had at once observed his brother’s exhilarated condition,
and on entering the arbor he saw half a bottle of brandy and a
wineglass on the table.
“That’s brandy,” Mitya laughed. “I see your look: ‘He’s drinking
again!’ Distrust the apparition.
Distrust the worthless, lying crowd,
And lay aside thy doubts.
I’m not drinking, I’m only ‘indulging,’ as that pig, your Rakitin,
says. He’ll be a civil councilor one day, but he’ll always talk about
‘indulging.’ Sit down. I could take you in my arms, Alyosha, and press
you to my bosom till I crush you, for in the whole world—in reality—in
re-al-i-ty—(can you take it in?) I love no one but you!”
He uttered the last words in a sort of exaltation.
“No one but you and one ‘jade’ I have fallen in love with, to my ruin.
But being in love doesn’t mean loving. You may be in love with a woman
and yet hate her. Remember that! I can talk about it gayly still. Sit
down here by the table and I’ll sit beside you and look at you, and go
on talking. You shall keep quiet and I’ll go on talking, for the time
has come. But on reflection, you know, I’d better speak quietly, for
here—here—you can never tell what ears are listening. I will explain
everything; as they say, ‘the story will be continued.’ Why have I been
longing for you? Why have I been thirsting for you all these days, and
just now? (It’s five days since I’ve cast anchor here.) Because it’s
only to you I can tell everything; because I must, because I need you,
because to-morrow I shall fly from the clouds, because to-morrow life
is ending and beginning. Have you ever felt, have you ever dreamt of
falling down a precipice into a pit? That’s just how I’m falling, but
not in a dream. And I’m not afraid, and don’t you be afraid. At least,
I am afraid, but I enjoy it. It’s not enjoyment though, but ecstasy.
Damn it all, whatever it is! A strong spirit, a weak spirit, a womanish
spirit—whatever it is! Let us praise nature: you see what sunshine, how
clear the sky is, the leaves are all green, it’s still summer; four
o’clock in the afternoon and the stillness! Where were you going?”
“I was going to father’s, but I meant to go to Katerina Ivanovna’s
first.”
Public-domain text, read in full here on John Shaqi.
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