Slavery -- United States; United States -- Politics and government -- 1861-1865; United States -- Race relations
An ordinary correction of a negro did not cause him as much pain as your
child, with his far superior sensitiveness, receives when you give him the
rod. Large and heavy as the overseer's whip looked, the negro, with his
high degree of insensibility to physical pain inherited from his African
ancestors, who for a hundred generations or more had bestowed upon one
another all kinds of corporal torture, cared far less for it than the
abolitionist who insisted on making him merely a black white man, could
ever understand. How little of both mental and corporal suffering the lash
causes the average negro is strikingly shown by the fact that ever since
his emancipation, when he is detected in a serious offence, he is prone to
propose that he be whipped instead of being carried to court. If his
offer is accepted he strips off his clothes with alacrity, exclaims the
conventional "O, Lordy!" under every fall of the whip; and when the
contract number of lashes has been given he goes away with the look and
air of one who has just learned that he has drawn a lottery prize of
thousands; and his nearest and dearest, his wife and children, all his
sweethearts, congratulate him cordially, and the entire negro community
rate him as rarely fortunate. This is enough here of the lash; but a word
or two more will be appropriate when we give the chain-gang attention.
"Run, nigger, run, patroller get you."
The riotous merriment of this air can be fully appreciated only by one who
has heard Cuffee sing it at the quarters while picking his banjo. It
completely confutes the charge often made that the patrol law was a cruel
one. To the negro, the execution of that law was more of fun and frolic
than punishment. Let this air, and all the others to which the slaves used
to dance, be meditated by those, if there are such, who incline to believe
that Professor DuBois has really detected, as he seriously contends, in
the negro melodies of the old south deep sorrow over slavery. If miserable
conditions give character to musical expression, the songs, if any, that
now come forth spontaneously from the mass of southern negroes--that is,
from those of the lower class, which class will be described later
herein--ought to be sadder than the tears of Simonides.
Public-domain text, read in full here on John Shaqi.
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