Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
Alix did not understand what lay back of the shot, but she was able to
recall the conversation that had led up to it. The Cardinal had told the
following simple story, an incident he had witnessed in one of his walks
outside the city wall:
A farmer wished to break his six-year-old daughter of crying. One
afternoon he led her by the hand to the center of a marshy waste,
thickly grown with wiry reeds well above the child's head. There he had
suddenly flung away her hand, saying: Now are you going to cry any more?
The child, with a last rush of contrary pride and with a beginning of
fear, started to cry. All right, shouted the father, we don't want any
bad children in our house. I'm going to leave you here with the tigers.
Good bye. And jumping out of the child's sight, repaired to a wine shop
at the edge of the waste and sat down for an hour's cardplaying. The
child strayed about from hummock to hummock, wailing. In due time the
father reappeared and taking her affectionately by the hand led her
home.
That was all.
But Astrée-Luce had never learned, as the rest of us have, to harden
her heart slightly before stories of cruelty or injustice. She may have
had no losses of her own, but she had always been ready to expose her
imagination to the full force of other people's wrongs. Such an anecdote
would have drawn from others a sigh, a swift protective contraction of
the lips and a smile of gratitude for its safe conclusion. But to
Astrée-Luce it was the vividest reminder that the God whose business it
was to brood over the world ministering to the discouraged and the
mistreated, was no more. The Cardinal had killed him. There was no one
left to soothe the horse that has been beaten to death. The kittens that
the boys fling against the wall have no one to speak for them. The dog
in torment that keeps his eyes upon her face, and licks her hands even
while his eyes grow dim, shall have no comforter but her. This was not a
casual story the Cardinal was telling: it concealed a covert allusion to
their conversation of the preceding week. It was a taunt. It was a sort
of curse. Look at the world without God, he was saying. Get used to it.
If she had lost God, oh how clearly she had gained the Devil. Here he
was triumphing in this lacerating story. Astrée-Luce went over to the
piano, picked up a revolver from the flowers and shot at the Cardinal,
crying: The Devil has come into this room!
Public-domain text, read in full here on John Shaqi.
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