Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
Here Miss Grier raised her head: There follow fifty pages describing his
encounters with the others. Have you anything to say? Do you recognize
anything?
But, Miss Grier, I've had no headaches! I don't receive what I want!
No?
What am I to understand? You've made it twice as confused. Explain some
more.
He goes on to say that the gods were afraid of being laughed at for what
they had lost. Flight, for instance, and invisibility, and omniscience
and freedom from care. People would forget that they still had a few
enviable powers: their strange elation; their command over matter; their
ability to live or die when they chose and to live beyond good and evil.
And so on.
What became of him?
Finally he decided to die, as they all do. All gods and heroes are by
nature the enemies of Christianity--a faith trailing its aspirations and
remorses and in whose presence every man is a failure. Only a broken
will can enter the Kingdom of Heaven. Finally tired out with the cult of
themselves they give in. They go over. They renounce themselves.
I was astonished at the desolation in her voice. It held me back from
eagerly demanding of her the application to the Cabala of all these
principles. We went in to the next room where her musicians were waiting
to offer us some English madrigals. The applications still occur to me,
especially when I am depressed. They give in. They go over.
On the night that my steamer left the bay of Naples I lay sleepless in
my deck-chair until morning. Why was I not more reluctant at leaving
Europe? How could I lie there repeating the Aeneid and longing for the
shelf of Manhattan? It was Virgil's sea that we were crossing; the very
stars were his: Arcturus and the showery Hyades, the two Bears and Orion
in his harness of gold. All these passed before me in a cloudless sky
and in the water, murmuring before a light wind, the sliding
constellations were brokenly reflected.
Mercury is not only the messenger of the gods; he is the conductor of
the dead as well. If in the least part his powers had fallen to me I
should be able to invoke spirits. Perhaps Virgil could read my mood for
me, and raising my two palms I said in a low voice (not loud enough to
reach the open port-holes behind me):
Prince of poets, Virgil, one of your guests and the last of barbarians
invokes you.
For an instant I thought I saw the shimmer of a robe and the reflection
of the starlight on the shiny side of a laurel leaf. I pressed my
advantage:
_O anima cortese mantovana_, greatest of all Romans, out of the eternity
of that limbo to which the Florentine, perhaps wrongly, consigned you,
grant me a crumb of time.
Now indeed the shade stood in mid-air just above the hand-rail. The
stars were glittering and the water was glittering, and the great shade,
picked out in sparks, was glittering furiously. But the image must
become clearer. There was one title that might avail more with him than
those of poet or Roman.
Public-domain text, read in full here on John Shaqi.
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