The Cable Game: The Adventures of an American Press-Boat in Turkish Waters During the Russian RevolutionWashburn, Stanley
History
The Cable Game: The Adventures of an American Press-Boat in Turkish Waters During the Russian Revolution
Washburn, Stanley
Black Sea -- Description and travel; Russia -- History -- Nicholas II, 1894-1917
the same as that of turning up the wick of a lamp when the oil is
gone. There was a momentary flare and then less light than ever before.
The soldiers and everyone else viewed it at best as a confession
of weakness wrung from the sovereign by his realization of his own
desperate plight. Anyway, not even the most optimistic soldier believed
that he would ever get the promised raise of pay. Patrols of the
forbidding looking Cossacks were riding about the streets from morning
until night. The plodding of their horses’ hoofs in the snow and the
metallic jingle of sabers, were almost the only sound one heard in the
streets. All else was quiet as the grave, and save for the shivering
and destitute begging from house to house, there was almost no one else
abroad in this bitter cold.
Considering our high hopes for a general uprising the day passed
quietly enough. Only a bomb episode along in the afternoon testified
that the spirit of anarchy and revolution still smoldered beneath
the surface. Not much of an event it was, even at that. Only an
unsuccessful attempt to assassinate one of the local tyrants of the
detective force. It would make a scare head for a local police story
perhaps, but out here for the man who had the only access to the
world’s cable, it was only a “significant incident.” The immediate
scene is dramatic, terrible. A cold gray court-yard rises beyond a
gate, at which stood a half frozen sentinel, gloomy, imperturbable,
silent. Across the court was the office of the victim sought. Within
the compound a half dozen bodies, now torn and mangled, masses of
clothing and human flesh, lie steaming in the cold, while pools of
blood freeze in little lakes of red stained snow. The frost-bitten
earth crunches dryly under the feet of the clumsy officers, who,
note-books in hand, are compiling their reports of the incident. One
of them turns over with his heavy boot the stiffening carcass of the
perpetrator of the outrage, himself torn to shreds by the explosion of
his own bomb. With white teeth clinched, and glassy eyes glaring up to
the gloomy December sky, he lies, soaked in his own blood, amidst the
wreckage he has created, a grim evidence that no tyrant is safe in a
country where there are dozens willing and eager to sacrifice their own
lives to remove even one of the cogs of the vast engine of despotism,
the machine that has been grinding them smaller and smaller during
these many centuries. No wonder the prefect of police turns his heavy
visage from the scene in which he was cast to play such an important
role. He is putty colored beneath his beard as he passes to his
carriage, saber dragging in the snow and spurs ringing sharply on the
threshold of the great gate. The dull sentry hears the sound and comes
to a present. The police officers salute. The prefect climbs into his
sleigh, weighted down with rich furs, the driver cracks his whip, and
they are off up the street at a gallop. He has escaped this bomb, but
Public-domain text, read in full here on John Shaqi.
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