The Cable Game: The Adventures of an American Press-Boat in Turkish Waters During the Russian RevolutionWashburn, Stanley
History
The Cable Game: The Adventures of an American Press-Boat in Turkish Waters During the Russian Revolution
Washburn, Stanley
Black Sea -- Description and travel; Russia -- History -- Nicholas II, 1894-1917
I made my base at the best hotel in the city and proceeded to pump
everyone in sight as to the news of the hour in the Crimean port. Four
hours of active work convinced me that the situation in Sevastopol had
been vastly exaggerated, as indeed is usually the case with war or riot
stories originating in remote localities. To the excited citizen caught
in the hurly burly uproar and tumult of a mob, with shots ringing out
and Cossacks charging about and riding people down, it no doubt seems
as though the last great spasm of history were being enacted. A dozen
killed and a score wounded look like hundreds to the man who has not
seen corpses and wounded “in bulk.” In fact, there is nothing in the
world so misleading as the importance of riots and the alleged losses.
When one comes to analyze it, half the supposed dead prove to be only
wounded or stunned, while the bulk of the alleged fatally wounded are
only slightly hurt, or so badly frightened that they fall over each
other in their anxiety to get away. All this to the amateur observer
looks like a world sensation, but if one digests it all a day or two
later, when the excitement has subsided, it appears that the police
have merely dispersed a disorderly rabble with a few casualties. In the
meantime, however, the excited witness, who perchance has never heard
a shot fired in anger before, has sent out his story of “atrocious
massacre by the police” with all the lurid details which, in his mind,
are unparalleled. The story does not lose as it travels through the
big centers of news distribution, and when it finally gets into the
daily papers it gives the reader the impression that a world spasm
has been enacted. The “special correspondent” is rushed to the scene
of the occurrence, and when he arrives a week afterwards he finds the
life of the town moving much as before, and a few bullet holes in some
wall the only visible signs of the “horrible riot.” He learns that
the revolutionists are in durance vile, and if he takes the pains
to investigate, he will find a few poor peasants and a handful of
long-haired, wild-eyed Russian students shut up in a dirty room. This,
then, is a type of the great majority of Russian riot or revolution
“stories.”
In the newspaper world it often happens that “no news” is really
important news, though perhaps not sensational. And so it was in
Sevastopol at this time. I was able to draft an accurate cable pricking
the bubble of mystery and horror with which the outside world was then
viewing the Sevastopol situation.
Public-domain text, read in full here on John Shaqi.
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