The Caged LionYonge, Charlotte M. (Charlotte Mary)
History
The Caged Lion
Yonge, Charlotte M. (Charlotte Mary)
James I, King of Scotland, 1394-1437 -- Fiction; Scotland -- History -- James I, 1406-1437 -- Fiction
'Hush, silly one, what skills it? Youths must pass through temptation;
and if his king hindered his vocation, maybe the poor lad may rue it
sorely, but methinks he will come to the right at last. It were better
to say a prayer for his faults than to speak evil of them, Alice.'
Poor Malcolm! He was at that very moment planning with an embroiderer a
robe wherein to appear, covered with flashes of lightning transfixing the
world, and mottoes around--'Esclaire mais Embrase'
Every moment that he was absent from Esclairmonde was spent in composing
chivalrous discourses in which to lay himself at her feet, but the mere
sight of her steady dark eyes scattered them instantly from his memory;
and save for very shame he would have entreated King James again to break
the ice for him, since the lady evidently supposed that she had last year
entirely quashed his suit. And in this mood Malcolm mounted and took his
place to ride into Paris, where the King wished to arrive in the evening,
and with little preparation, so as to avoid the weary length of a state
reception, with all its speeches and pageants.
In the glow of a May evening the cavalcade passed the gates, and entered
the city, where the streets were so narrow that it was often impossible
to ride otherwise than two and two. The foremost had emerged into an
open space before a church and churchyard, when there was a sudden pause,
a shock of surprise. All across the space, blocking up the way, was an
enormous line of figures, looking shadowy in the evening light, and
bearing the insignia of every rank and dignity that earth presented.
Popes were there, with triple crown and keys, and fanned by peacock
tails; scarlet-matted and caped cardinals, mitred and crosiered bishops,
crowned and sceptred kings, ermined dukes, steel-clad knights, gowned
lawyers, square-capped priests, cowled monks, and friars of every
degree--nay, the mechanic with his tools, the peasant with his spade,
even the beggar within his dish; old men, and children of every age; and
women too of all grades--the tower-crowned queen, the beplumed dame, the
lofty abbess, the veiled nun, the bourgeoise, the peasant, the
beggar;--all were there, moving in a strange shadowy wild dance,
sometimes slow, sometimes swift and mad with gaiety, to the music of an
unseen band of clashing kettle-drums, cymbals, and other instruments,
that played fast and furiously; while above all a knell in the church
tower rang forth at intervals a slow, deep, lugubrious note; and all the
time there glided in and out through the ring a grisly
being--skull-headed, skeleton-boned, scythe in hand--Death himself; and
ever and anon, when the dance was swiftest, would he dart into the midst,
pounce on one or other, holding an hour-glass to the face, unheeding
rank, sex, or age, and bear his victim to the charnel-house beside the
church. It was a sight as though some terrible sermon had taken life, as
Public-domain text, read in full here on John Shaqi.
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