The cairn : $b A gathering of precious stones from many handsNicolas, Sarah Davison, Lady
General
The cairn : $b A gathering of precious stones from many hands
Nicolas, Sarah Davison, Lady
Literature -- Collections
Says Hope to Grief one low’ring day,
“Cast off those looks of sorrow;
Come, dry your tears, and let us play:
All may be well to-morrow.”
“Alas!” cries Grief, “no leisure hour
The Gods assign my fate;
On love or friendship, fame or power,
I’m ever doom’d to wait.”
“Never,” cries Hope, with winning smile,
“Nourish my foe Despair;
Yon hamlet see, let’s join awhile
The boys at see-saw there.”
Now purple lights and balmy gales
Play round the radiant maid;
Her angel look at once prevails,
Grief sigh’d--but still obey’d.
Hope featly pois’d the trembling beam,
Grief made no further pother;
The spectre sat at one extreme,
The fairy at the other.
Then came Despair with low’ring frown,
With scowling eye he gazed;
For lo! the heavier _Grief_ weigh’d down,
The higher _Hope_ was rais’d.
But Mercy, e’en by angels blest,
Smil’d from her starry scope,
To see that Grief, the more deprest,
Looks up the more to Hope!
❦
[Sidenote: Unjust suspicion.]
It is painful to describe the combat of innocence and unjust suspicion;
it is dreadful to represent the possibility of appearances bearing
testimony against truth, and melancholy to reflect that innocence may
be oppressed by the blind judgment of men, without deriving aid from
the enlightened and all-seeing Judge of the universe.
❦
It is the heartless alone who believe that love can grow old. It is,
and remains spring forever! As long as the human faculties retain their
vigour--as long as the mind is undegraded by selfish interests, and
remains faithful to truth, love, once born, lives in an honest heart,
diffusing freshness and vigour, even in old age, over the intellect,
the feelings, and the whole existence.
❦
[Sidenote: Capucine Friars.]
The Capucines touch no money but with a pair of pincers, which conveys
it into their cowl or sack to carry it to market.
❦
_Arms of the House of Medici._
“The house of Medici,” says the author of the Discours merveilleux sur
la Vie de Catherine de Medici, “was for a long period hidden amongst
the lowest refuse of the people at Florence. It began to rise by means
of a collier, who had a son an apothecary, _who took the name of his
profession_; and as we in the present day see people taking for devices
the emblems of their trade, as tailors their scissors, masons their
hammer or trowel, so this doctor adopted _five pills_, as it is their
habit to order an odd number to their patients.” This is a singular
derivation of the armorial bearings of this celebrated house.
❦
[Sidenote: Scenes from the Life of Michael Angelo.]
Public-domain text, read in full here on John Shaqi.
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