The thought was as bracing as a cold shower and gave him a vigorous grip
on his rebellious affections. Then he danced with her—on the wide, dimly
lighted veranda—a slow, lotus-land waltz, just coming back in vogue
after more than a decade of galloping two-steps.
He took another grip on himself. He must not think of the woman in his
arms. Luckily the old-fashioned dance was diverting: while the movement
was intoxicating it was reminiscent. He remembered his first waltz—the
Carolina hill-town—the moonlight, the smell of the roses—the plump
little girl in the white dress, with the red, red sash, and the cheeks
as red, with the black eyes and the blacker hair, with the indefinable
sensuous physical perfume of Woman, and the very Spirit of the
Dance,—she who—yes, she who married the station-agent and was now such a
motherly person. He began a speech that would have been cynical. Elise
stopped him.
"Don’t talk," she said. "Let’s dream."
Tumult! Riot! What’s the use to hold one’s pulses steady when the Lady
Beautiful herself incites revolt!
"Let’s dream." His heart-strings were set a-tremble by the vibrant
richness of her voice, which seemed to have caught the dreaminess and
rhythm and resonance of the violins that drew them on. And—
"Don’t talk." No: he would not profane the enchantment of that waltz
with words; and yet surely My Lady Beautiful were heartless indeed not
to catch the messages of love which, pure of the alloy of breath and
speech, his every pulse-beat sent unfettered to her heart.
He held her for a moment after the violins had ceased, and the spell of
the slow-swinging waltz was still upon them both—when a quick jerk of
the fiddles in the ever rollicking two-step brought Sir Monocle to
Elise’s side. Evans resigned her with a bow and, without so much as a
"thank you," went out on the lawn to commune with his heart.
How long that two-step continued, he, seated in a retired nook, did not
know. Sometime after it was finished he saw Elise and the Englishman
walk down the winding path that led from the front door to the roadside.
They stood talking together a minute perhaps till Captain Howard boarded
a passing car city-bound. Rutledge noted with a twinge of jealousy the
cordial good-bye the girl gave the man, but even at that distance and
through the uncertain light he thought he saw—and, queer to say,
resented—a certain formality in Captain Howard’s adieus to the woman.
He watched her through the trees as she came slowly back up the hill
following the turns of the smooth hard walk as it wound through darkness
and half lights from the broad gateway to the house. She moved along, a
white shadow, slowly at first, and Evans imagined that she was in some
such mood as possessed him. Then she started suddenly and ran at a
stone stairway which mounted a terrace. She tripped, stumbled and fell
against the granite steps.
Public-domain text, read in full here on John Shaqi.
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