Lily Porter finally became conscious that she was the special attraction
for a stranger who regularly every other Sunday evening sat in a forward
pew and listened to her singing with attentive interest, but who showed
little or no care for any of the service beside. Several months had gone
by before she noticed him and his faithful attention to herself. When
she did realize his presence she was conscious that he had been paying
her this tribute for a long time. She observed him quietly and
satisfied herself that he came only to see or to hear her. He did not
force himself upon her vision, but none the less did she understand that
she was the chief object of his respectful consideration.
The preacher’s manner and style of thought did not appeal to Hayward,
while Lily Porter’s face and voice did. He always sat where he could
look at her in the choir-loft, for he argued that as he went only to see
her he would see as much of her as possible. His face was mobile and
easily read, and as he was good to look upon and so evidently
appreciative of her efforts the girl came ere long to sing with an eye
to his approval and admiration—to sing for him and to him. This
interested her for a time, but she was piqued at length for that he
seemed content to admire at a distance and made no effort to come nearer
to her.
One evening, unexpectedly to them both, a negro prominent among his race
because of his position as Registrar for the District, John K. Brown,
with whom Hayward had picked up a mutually agreeable though casual
acquaintance, introduced him to the singer in the aisle of the church.
"Miss Lily, I want to introduce my friend Mr. John Hayward, who goes
into extravagances about your singing—as he very properly should."
Hayward was overjoyed at his good fortune. To be presented as John
Brown’s friend was a passport to the best negro society in Washington.
He was as much pleased to know that Brown regarded him so favourably as
he was delighted to meet the young woman. As he walked with her to the
door she presented him to her mother, a bright mulatto woman about fifty
or more, who did the grand dame to the best of her ability: which was
indeed perfect as to manner but was betrayed the moment she tried to do
too many things with the English language.
When he had opportunity Hayward was profuse in his thanks to Brown, and
told him volubly of his love for music. Finding a sympathetic listener,
he was led on to an impulsive story of the social longings and lackings
in his life. Brown, more than ever impressed with the young fellow’s
intelligence and worthiness, was at some pains thereafter to look after
him and set him going in a congenial social current.
Public-domain text, read in full here on John Shaqi.
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