The Cambrian Tourist, or, Post-Chaise Companion through Wales [1834]: Containing cursory sketches of the Welsh territories, and a description of the manners, customs, and games of the nativesAnonymous
History
The Cambrian Tourist, or, Post-Chaise Companion through Wales [1834]: Containing cursory sketches of the Welsh territories, and a description of the manners, customs, and games of the natives
Anonymous
Wales -- Guidebooks
But I have omitted to mention, that before we reached the New Weir, the
spire of Haunton on Wye, cresting a hill at the extremity of a long
reach, and a fantastic barren rock, jutting out from the green foliage
which encircles it, presenting itself bold and conspicuous, formed
prominent and interesting features in the landscape; this is called
Bearcroft, receiving its appellation from the very respectable and
learned counsellor of that name. Several rocks, indeed, particularly in
this part of the river, are named by the counsel, who have long made it a
practice of exploring the rich and bold scenery of the Wye on their
assize circuit. Gilpin, considering New Weir as the second grand scene
on the Wye, thus describes it:
“The river is wider than usual in this part, and takes a sweep round a
towering promontory of rock, which forms the side screen on the left, and
is the grand feature of the view. On the right side of the river the
bank forms a woody amphitheatre, following the course of the stream round
the promontory: its lower skirts are adorned with a hamlet, in the midst
of which volumes of thick smoke thrown up at intervals from an iron
forge, as its fires receive fresh fuel, add double grandeur to the scene.
But what peculiarly marks this view is a circumstance on the water: the
whole river at this place makes a precipitate fall, of no great height,
indeed, but enough to merit the name of a cascade, though to the eye
above the stream it is an object of no consequence. In all the scenes we
had yet passed, the water moving with a slow and solemn pace, the objects
around kept time, as it were, with it; and every steep and every rock
which hung over the river was solemn, tranquil, and majestic. But here
the violence of the stream and the roaring of the waters impressed a new
character on the scene: all was agitation and uproar; and every steep and
every rock stared with wildness and terror.”—The accuracy and elegance of
this description, drawn by so masterly a pen, I hope will amply
compensate for the length of this quotation. The extensive iron works
mentioned in this passage belong to Mr. Partridge.
Below the New Weir a continuation of the same rich scenery still arrested
our attention, and rocks and wood seemed to contend which should be most
conspicuous; till the winding of the river round Doward’s Rock, on which
was formerly a Roman station, brought us under the house of Mr. Hatley,
which commands a view of the river as far as Monmouth, when it is
terminated by the town and bridge of six arches. As we drew near
MONMOUTH,
the house of Dr. Griffin, situated on an eminence, and a banqueting-room
erected by the inhabitants of the place, appeared above the town on the
left.
Public-domain text, read in full here on John Shaqi.
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