Such was the story which Phillida found so hard to credit that she
proceeded to the spot in order to go over the ground for her own
satisfaction. This did not make it easier to understand. It had come on
to rain heavily while she was in the shop; the shining Embankment was
again practically deserted, and she was able to carry out her
experiment without exciting observation. She took a dozen steps up
Cheyne Row, pretended she heard the shot, turned sharp round, and quite
realised that from where she was the body could not have been seen,
hidden as it must have been by the seat, which itself was almost hidden
by the long and narrow island of enclosed garden. But a running man
could have been seen through the garden, even if he stooped as he ran,
and the murderer must have run like the wind to get away as he had
done. The gates through the garden, back and front of the statue, had
not been opened for the day when the murder took place, so Phillida in
her turn made a half-circuit of the island to get to the spot where the
body had been found, but without taking her eyes off the spot until she
reached it. No! It was as she had thought all along; by nothing short
of a miracle could the assassin have escaped observation if the
policeman had eyes in his head and had acted as he swore he had done.
He might have dashed into the garden, when the policeman was at his
furthest point distant, if the gates had been open as they were now;
but they had been locked, and he could not have scaled them unobserved.
Neither would it have been possible to take a header into the river
with the foreshore as described by the same witness. Yet the murderer
had either done one of these things, or the flags of the Embankment had
opened and swallowed him.
The girl stood on the very spot where the murdered man must have
fallen, and in her utter perplexity it was no longer the tragedy but
the problem which engrossed her mind. What had happened, had happened;
but how could it have happened? She raised her umbrella and peered
through the rain at a red pile of many-windowed flats; had that Argus
of the hundred eyes been sleeping without one of them open at the time?
Her own eyes fell as far as the black statue in the narrow garden,
standing out hi the rain, like the greenery about its granite base, as
though the blackened bronze were polished marble. How lifelike the
colossal scholar in his homely garb! How scornful and how shrewd the
fixed eternal gaze across his own old Father Thames! It assumed another
character as the girl gazed in her turn, she seemed to intercept that
stony stare, to distract it from the river to herself, and to her
fevered fancy the grim lips smiled contemptuously on her and her
quandary. He knew—_he_ knew—those grim old eyes had seen it all, and
still they stared and smiled as much as to say: “You are looking the
wrong way! Look where I am looking; that way lies the truth you are
poor fool enough to want to know!”
Public-domain text, read in full here on John Shaqi.
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