Once it has fled this earth, the sovereign opportunity is
gone; but photography may often intercept the actual flight of the
soul.”
“I say no more than ‘often’ because there are special difficulties into
which I need not enter here; but they would disappear, or at least be
minimised, if the practice received the encouragement it deserves,
instead of the forbidding ban of a sentimental generation. It would
hurt nobody; it would comfort and convince the millions who at present
have only their Churches’ word for the existence of an eternal soul in
their perishable bodies. It would prove more, in the course of a few
experiments, than all the Churches have proved between them in nineteen
centuries. Yet how are my earnest applications received, in hospitals
where men die daily, in prisons where they are still occasionally put
to death? I am refused, rebuffed, gratuitously reprimanded; in fact, I
am driven ultimately to the extreme course of taking human life, on my
own account, in order to prove the life eternal. Call it murder, call
it what you will; in a civilisation which will not hear of a lethal
chamber for congenital imbeciles it would be waste of time to urge the
inutility of a life as an excuse for taking it, or the misery of an
individual as a reason for sending him to a world which cannot use him
worse than this world. I can only say that I have not deprived the
State of one conceivably profitable servant, or cut short a single life
of promise or repute. I have picked my few victims with infinite care
from amid the moral or material wreckage of life; either they had
nothing to live for, or they had no right to live. Charlton, the
licensed messenger, had less to live for than any man I ever knew; in
the course of our brief acquaintance he frequently told me how he
wished he was dead. I came across him in Kensington, outside a house to
which an unseemly fracas had attracted my attention as I passed.
Charlton had just been ejected for being drunk and insolent, and
refusing to leave without an extra sixpence. I befriended him. He was
indeed saturated with alcohol and honeycombed with disease; repulsive
in appearance, and cantankerous in character, his earnings were so
slender that he was pitifully clad, and without a night’s lodging
oftener than not. He had not a friend in the world, and was suffering
from an incurable malady of which the end was certain agony. I resolved
to put him out of his misery, and at the same time to try to photograph
the escape of his soul. A favourable opportunity did not present itself
for some time, during which Charlton subsisted largely on my bounty; at
last one morning I found him asleep on a bench in Holland Walk, and not
another being in sight, and I shot him with a cheap pistol which I had
purchased second-hand for the purpose, and which I left beside him on
the seat. Yet the weapon it was that cast a doubt upon the
authenticity of the suicide, despite my final precaution of stuffing a
Public-domain text, read in full here on John Shaqi.
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