The Camp Fire Girls at School; Or, The Wohelo WeaversFrey, Hildegard G.
General
The Camp Fire Girls at School; Or, The Wohelo Weavers
Frey, Hildegard G.
Camp Fire Girls -- Juvenile fiction; Schools -- Fiction
Emily took her departure, vowing undying gratitude to Hinpoha, and
Hinpoha took her paints from her desk and went into her own club room,
which was on the third floor, and with infinite pains matched the shade
of the tree trunk and repaired the damage. Her efforts were crowned with
better success even than she had hoped for, and with thankfulness in her
heart at the talent which could thus be turned to account to help a
friend out of trouble, she surveyed the little painting, looking just as
it did when loaned to the school. She carried it carefully upstairs, but
at the door of the exhibition room she paused in dismay. A whole group
of teachers and their friends were looking at the paintings and it was
impossible to put the one back without being noticed. Irresolutely she
turned away and retraced her steps to the third floor, intending to wait
in her club room until the coast was clear. But alas! In coming out
Hinpoha had left the door open. The club rooms were generally kept
locked. While she was going upstairs a number of students coming out
from late practice in the gymnasium spied the open door and went in to
look around. It was impossible for Hinpoha to go in there with that
picture in her hand. The only thing to do if she did not wish to get
into trouble, was to get rid of it immediately. Delay was getting
dangerous. She was standing near the back entrance of the stage when she
was looking for a place to hide the picture. Beside the stage entrance
there was a little room containing all the lighting switches for the
stage, various battery boxes and other electrical equipment, together
with a motley collection of stage properties. Quick as a flash Hinpoha
opened the door of this room, darted in and hid the picture in a roll of
cheesecloth. When she came out one of the teachers was standing directly
before the door, pointing out to a friend the construction of the stage.
Public-domain text, read in full here on John Shaqi.
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