"Napoleon has told us," says Colonel Hart, "that the whole art of
war--the secret of success--consists in being strongest at the decisive
point." Even when making a great flank or turning movement against
his enemy, Napoleon kept this principle constantly in view. Thus,
in these operations, though at the outset the several columns under
his immediate command, numbering nearly sixty thousand men, entered
Italy from different directions, separated by intervening obstacles
and great distances, yet, by deceiving his adversary and by skilful
manoeuvres, he succeeded in conducting fifty-five thousand men into
such positions that they could, in an emergency, support one another
on a single battle-field. His theory of war was concentration. His
constant endeavor was to outnumber the enemy in battle. In order to
accomplish this result, he nearly always made a great effort to
call in his detachments just previous to a general engagement. His
skill in strategy consisted in so directing his columns that when
needed they could be quickly assembled on the battle-field. His skill
in war consisted in the fact that he nearly always brought greater
numbers against his enemy on the day of battle, even when he was
outnumbered within the theatre of operations. On the battle-field,
too, when it was impossible to outnumber his adversary, his quick eye
discerned the vital point, the key of the position, so to speak; and
there, neglecting the less important points, he massed his troops and
overwhelmed his enemy. But in this campaign, strange to relate, after
the battle of Montebello, and prior to the battle of Marengo, he seemed
to neglect the principle of calling in his columns. When he assembled
his forces south of the Po in the Stradella Pass, he felt certain
that Melas would shortly advance eastward from Alessandria to attack
him; yet he issued no orders for his forces north of the Po to join
him. Again: at Marengo he was outnumbered, while ten thousand French
soldiers along the Ticino, but a short distance away, had not a single
Austrian in their front.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account