19. It is easier, they say, to climb a hill when you ascend back
foremost. This, perhaps, might admit of application to political
eminences; if you still turned towards them that part of the body on
which you sit, and kept your face directed down to the people; all the
while, however, removing and mounting.
------------------------
Only one thing grieved me by anticipation; the sorrow of my Berga, for
whom, dear tired wayfarer, I on the morrow must overcloud her arrival,
and her shortened market-spectacle, by my negatory intelligence. She
would so gladly (and who can take it ill of a rich farmer's Daughter?)
have made herself somebody in Neusattel, and overshone many a female
dignitary! Every mortal longs for his parade-place, and some earlier
living honor than the last honors. Especially so good a lowly-born
housewife as my Berga, conscious perhaps rather of her metallic than of
her spiritual treasure, would still wish at banquets to be mistress of
some seat or other, and so in place to overtop this or that plucked
goose of the neighborhood.
------------------------
26. Few German writers are not original, if we may ascribe originality
(as is at least the conversational practice of all people) to a man who
merely dishes out his own thoughts without foreign admixture. For as,
between their Memory, where their reading or foreign matter dwells, and
their Imagination or Productive Power, where their writing or own
peculiar matter originates, a sufficient space intervenes, and the
boundary-stones are fixed in so conscientiously and firmly that nothing
foreign may pass over into their own, or inversely, so that they may
really read a hundred works without losing their own primitive flavor,
or even altering it,--their individuality may, I believe, be considered
as secured; and their spiritual nourishment, their pancakes, loaves,
fritters, caviare, and meat-balls, are not assimilated to their system,
but given back pure and unaltered. Often in my own mind, I figure such
writers as living but thousand-fold more artificial Ducklings from
Vaucasson's Artificial Duck of Wood. For in fact they are not less
cunningly put together than this timber Duck, which will gobble meat
and apparently void it again, under show of having digested it, and
derived from it blood and juices; though the secret of the business is,
the artist has merely introduced an ingenious compound ejective matter
behind, with which concoction and nourishment have nothing to do, but
which the Duck illusorily gives forth and publishes to the world.
------------------------
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account