The Canadian: Photoplay title of The Land of PromiseMaugham, W. Somerset (William Somerset)
General
The Canadian: Photoplay title of The Land of Promise
Maugham, W. Somerset (William Somerset)
Attitude change -- Fiction; Canada -- Fiction; Farm life -- Fiction; Husband and wife -- Fiction
There was one quality which he possessed to which she paid ungrudging
tribute; never had she met a man so free from all petty pretense. He
regretted his lack of opportunities for educating himself, but it
apparently never entered his head to pretend a knowledge of even the
simplest subject which he did not possess. The questions that he asked
her from time to time about matters which almost any schoolboy in
England could have answered, both touched and embarrassed her.
At first she had found the evenings the most trying part of the day.
When not taken up with her household cares, she found herself becoming
absurdly self-conscious in his society. They were neither of them
naturally silent people, and it was difficult not to have the air of
"talking down" to him, of palpably making conversation. Beyond the
people at her brother's and the Sharps, they had not a single
acquaintance in common. Her horizon, hitherto, had been, bounded by
England, his by Canada.
Finally, acting on the suggestion he had made, but never again referred
to, the unforgettable day when they were leaving for Winnipeg, she began
reading aloud evenings while he worked on his new chairs. The experiment
was a great success. Her little library was limited in range; a few
standard works and a number of books on travel and some of history. She
soon found that history was what he most enjoyed. Things that were a
commonplace to her were revealed to him for the first time. And his
comments were keen and intelligent, although his point of view was
strikingly novel and at the opposite pole from hers. To be sure, she had
been accustomed to accepting history merely as a more or less accurate
record of bygone events without philosophizing upon it. But to him it
was one long chronicle of wrong and oppression. He pronounced the dead
and gone sovereigns of England a bad lot and cowardly almost without
exception; not apparently objecting to them on the ground that they were
kings, as she had at first thought, but because they attained their
ends, mostly selfish, through cruelty and oppression, without any
regard for humane rights.
It was the same way with books of travel. The chateaus and castles, with
all their atmosphere of story and romance which she had always longed to
visit, interested him not a jot. In his opinion they were, one and all,
bloody monuments of greed and selfishness; the sooner they were razed to
the ground and forgotten, the better for the world.
It was useless to make an appeal for them on artistic grounds; art to
him was a doubly sealed book, and yet he frequently disclosed an innate
love of beauty in his appreciation of the changing panorama of the
winter landscape which stretched on every side before their eyes.
Public-domain text, read in full here on John Shaqi.
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