The Candidate: A Political RomanceAltsheler, Joseph A. (Joseph Alexander)
General
The Candidate: A Political Romance
Altsheler, Joseph A. (Joseph Alexander)
Political campaigns -- Fiction; Political fiction
The candidate was a little late, and the opera-house was filled to the
last seat, with many people standing in the aisles and about the doors.
Harley, glancing again at the rows and rows of faces, saw the three
witnesses almost together, and just to the right of the main entrance,
where they leaned against the wall, facing the stage. Hobart fluttered
about them, holding them in occasional talk, and Harley was just about
to look again, and with increasing attention, but at that instant the
great audience, with a common impulse and a kind of rushing sound, like
the slide of an avalanche, rose to its feet. The candidate, coming from
the wings, had just appeared upon the stage, and the welcome was
spontaneous and overwhelming. Jimmy Grayson was always a serious man,
but Harley noticed that evening, when he first appeared before the
footlights, that his face looked tense and eager, as if he felt that a
great task which he must assume lay just before him.
He wasted no time, but went at once to the heart of his subject, the
crime of a great party, the wicked ways by which it had attained its
wicked ends, and from the opening sentence he had his big audience with
him, heart and soul.
The indictment was terrible: in a masterly way he summed up the charges
and the proof, as a general marshals his forces for battle, and the
crowd, so clear were his words and so strong his statements, could see
them all marching in unison, like the battalions and brigades, towards
the common point, the exposed centre of the enemy. The faces of Sylvia
and Mrs. Grayson, in the box, glowed with pride.
Again and again, at the pauses between sentences, the cheers of the
audience rose and echoed, and then Harley would glance once more towards
the door; there, always, he saw Hobart with the three witnesses,
gathered under his wing, as it were, all looking raptly and intently at
Jimmy Grayson.
The candidate, by-and-by, seemed to concentrate his attention upon the
four men at the door, and spoke directly to them. Harley saw one of the
group move as if about to leave, but the hand of Hobart fell upon his
arm and he stayed. Harley, too, was conscious presently of an unusual
effect having the quality of weirdness. The lights seemed to go down in
the whole opera-house, except near the door. Jimmy Grayson and the
correspondents were in a semi-darkness, but Hobart and his three new
friends beside the door stood in a light that was almost dazzling
through contrast. The three witnesses now seemed to be fixed in that
spot, and their eyes never wandered from Jimmy Grayson's face.
Familiar as he was with the candidate's oratorical powers, Harley was
surprised at his strength of invective that evening. He had proved the
guilt, the overwhelming guilt, of the opposition party, and he was
describing the punishment, a punishment sure to come, although many
might deem it impossible:
Public-domain text, read in full here on John Shaqi.
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