The Capitals of Spanish AmericaCurtis, William Eleroy
History
The Capitals of Spanish America
Curtis, William Eleroy
Capitals (Cities) -- Latin America; Cities and towns -- Latin America; Latin America -- Description and travel
The marimba is constructed of twenty-one pieces of split bamboo of
graded lengths, strung upon two bars of the same wood according to
harmonic sequence, thus furnishing three octaves. Underneath each strip
of bamboo is a gourd, strung upon a wire, which takes the place of a
sounding-board, and adds strength and sweetness to the tones. The
performer takes the instrument upon his knees and strikes the bamboo
strips with little hammers of padded leather, usually taking two between
the fingers of each hand, so as to strike a chord of four notes, which
he does with great dexterity. I have seen men play with three hammers in
each hand, and use them as rapidly and skilfully as a pianist touches
his keys. The tones of the marimba resemble those of the xylophone,
which has recently become so popular, except that they are louder and
more resonant. The instrument is peculiarly adapted to the native airs,
which are plaintive but melodious. At all of the tambos where the
cartmen stop marimbas are kept, and in every caravan are those who can
handle them skilfully. Tourists generally travel in the cool hours of
the morning and evening to avoid the blistering sun, and it is a welcome
diversion to stop at the _bodegas_ to listen to the songs of the
cartmen, and watch them dancing with darkeyed, barefooted señoritas.
The women of the lower classes do not wear either shoes or sandals, but
go barefooted from infancy to old age; yet their feet are always small
and shapely, and look very pretty under the short skirts that reach just
below the knees. The native girls are comely and coquettish in the
national dress,
[Illustration: THE MARIMBA.]
which consists of nothing but a skirt and a chemise of white cotton,
with a brilliantly colored scarf, or “reboza,” as they call it, thrown
over their heads and shoulders, and serving the double purpose of a
shawl and bonnet. The features of the women are small and even, and
their teeth are perfect. Their forms, untrammelled by skirts and
corsets, are slender and supple in girlhood, and the scanty garments,
sleeveless, and reaching only from the shoulders to the knees, disclose
every outline of their figures, and are worn without a suggestion of
immodesty. Such a costume in the United States would call for police
interference; but one soon becomes accustomed to bare arms and necks and
legs, and learns that these innocent creatures are quite as jealous of
their chastity as their sisters in the land where the standard of
civilization forbids the disclosure of personal charms outside the
ball-room or the bathing beach. The ladies of the aristocracy imitate
the Parisian fashions, except that hats and bonnets are almost unknown.
They seldom leave their homes except to go to mass, and at the entrance
of a church every head must be uncovered.
Public-domain text, read in full here on John Shaqi.
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