The Capitals of Spanish AmericaCurtis, William Eleroy
History
The Capitals of Spanish America
Curtis, William Eleroy
Capitals (Cities) -- Latin America; Cities and towns -- Latin America; Latin America -- Description and travel
The President occupies the former residence of Henry Meiggs, the
Californian, who did so much for Peru. It is a magnificent structure,
erected and furnished when money had no value to the owner; but, like
everything else in Lima, it is only a relic of its original beauty, and
as a measure of economy a corner of the lower floor is rented for a
grocery.
Those who have travelled everywhere say that the women of Lima are the
most beautiful in the world. There is something about the climate of the
country, where rain never falls,
[Illustration: A PERUVIAN PALACE.]
and where decay is almost unknown, that gives them a brilliancy of
complexion that women of other lands do not possess. Perhaps their
national costume does much to heighten their beauty, for any woman not
positively ugly would look well in the embroidered manta that the ladies
of Lima always wear. This manta is a shawl of black China crape, and the
amount of silk embroidery upon it indicates the wealth of the wearer.
Some of them are extremely beautiful and cost as much as five hundred
dollars; but ordinary mantas, such as the majority wear, can be bought
for fifteen or twenty dollars in Peruvian money, which is worth
twenty-five per cent. less than American gold. A very common article of
dyed cotton is imported from England at a cost of three or four dollars,
for the use of the negro and Indian women. The manta is worn by every
woman, regardless of her rank or wealth, whenever she appears on the
street; but in their homes, at the opera, and when they go out to
afternoon receptions or evening balls, the ladies adopt the Parisian
styles, and dress with a great deal of taste.
[Illustration: A PERUVIAN BELLE.]
The manta is square in shape and about two yards in size. It is folded
so as to be triangular, and the centre of the fold is placed upon the
forehead, where there is usually a bit of lace that hangs down to the
eyes. One end of the manta falls down the front of the dress as far as
the knee, while the other is thrown around the shoulders and fastened at
the breast with an ornamental pin. Thus, usually only the face is shown;
and when a maiden or a matron wishes to disguise herself, she draws the
shawl up so as to cover her mouth and nose, and permit only her great
black, roguish eyes to be seen. And such eyes! Always large, age never
seems to dim them, and no degree of self-discipline can rob them of or
subdue their coquettish appearance. The poet who wrote
“Of that dark queen
For whose mere smile a world was bartered,”
described a Lima lady. The manta is usually drawn so closely about the
figure as to show its outlines with the most conspicuous distinctness,
and the young women of Lima are as famous for their beauty of form as
for their beauty of face.
[Illustration: WATCHING THE PROCESSION.]
Public-domain text, read in full here on John Shaqi.
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