The Capitals of Spanish AmericaCurtis, William Eleroy
History
The Capitals of Spanish America
Curtis, William Eleroy
Capitals (Cities) -- Latin America; Cities and towns -- Latin America; Latin America -- Description and travel
The houses in Tegucigalpa show much more evidence of prosperity than
those of Comayagua, and are kept more tidy and in better repair. They
are usually painted either a dead white or pink, blue, yellow, green, or
some other very pronounced color, while often a native amateur artist
tries his hand at exterior decoration, and endeavors to make the walls
of adobe look as if they were made of marble.
[Illustration: AN INTERIOR PLAIN.]
Somehow or another Tegucigalpa always looks new. The grass is growing in
the streets, and there are many other indications of commercial
stagnation, but the people do not let their houses show how poor and
indolent they are. These two national characteristics, moreover, do not
appear in any form in the city. It is not only the present headquarters
of the Government and of commercial affairs, but it is the centre of
fashionable life and the residence of the aristocracy of Honduras.
Two-thirds of the white people in the republic live here, and the other
third come here to get their clothes, so that the city is by comparison
gay.
The numerous farms surrounding the city are capable of enormous
production, and some of them are still profitably operated, while many
have gone to waste. The staples are sugar, coffee, cocoa, and other
tropical products, which require and receive little attention. The
buildings upon these plantations are all very old, but are still in good
condition. The chief dwelling is commonly large and comfortable, built
of adobe and roofed with imported tiles, and located where it can secure
a good natural water supply. There is usually but one floor, no ceiling,
nor glass in the windows, for the climate does not require it, and glass
is expensive. The windows are protected with iron bars and heavy
mahogany shutters. As little timber as possible is used, because all dry
wood is subject to destruction from a little insect called the
_comojeu_, which honey-combs every rafter, joist, and beam in a building
as soon as the sap is exhausted, and the interiors of the houses have to
be restored at intervals of a few years.
Most of the churches are in a dilapidated condition, and have been
divested of their former ornaments and riches by the hands of vandals
during revolutions. The cathedral was erected at the expense of a devout
and wealthy padre, and was once a fine building, but is now in a sad
state of decay.
Public-domain text, read in full here on John Shaqi.
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