The Captain of the Gray-Horse TroopGarland, Hamlin
General
The Captain of the Gray-Horse Troop
Garland, Hamlin
Colorado -- Fiction; Western stories
The dusk was beginning to fall, and the tepees, with their small,
sparkling fires close beside, and the shadowy, blanketed forms
assembling slowly, silently, gave a wonderful remoteness and wildness to
the scene. To Curtis it was quite like the old-time village. The husky
voice of the aged crier seemed like a call from out of the years
primeval before the white race with its devastating energy and its
killing problems had appeared in the east. The artist in Elsie, now
fully awake, dominated the daughter of wealth. "Oh, this is beautiful! I
never expected to see anything so primitive."
Knowing that his guests were eager to view it all, Curtis led the way
towards the dance-lodge. Elsie was moved to take her place beside him,
but checked herself and turned to Lawson, leaving Mrs. Parker to walk at
the Captain's elbow.
To the ears of the city dwellers the uproar was appalling--full of
murder and sudden death. As they approached the lodge the frenzied
booming of the drum, the wild, yelping howls, the shrill whooping,
brought up in their minds all the stories of dreadful deeds they had
ever read, and Parker said to Jennie:
"Do you really think the Captain will be able to control them?"
Jennie laughed. "I'm used to this clamor; it's only their way of
singing."
Elsie said: "They must be flourishing bloody scalping-knives in there;
it is direful."
"Wait and see," said Lawson.
The dance-house was a large octagonal hut built of pine logs, partly
roofed with grass and soil. It was lighted by a leaping fire in the
centre, and by four lanterns on the walls, and as Curtis and his party
entered, the clamor (in their honor) redoubled. In a first swift glance
Elsie apprehended only a confused, jingling, fluttering mass of color--a
chaos of leaping, half-naked forms and a small circle of singers
fiercely assaulting a drum which sat on the floor at the right of the
door.
Then Red Wolf, calm, stately, courtly, came before them carrying his
wand of office and conducted them to seats at the left of the fire, and
the girl's heart ceased to pound so fiercely. Looking back she saw
Jennie shaking hands with one of the fiercest of the painted and
beplumed dancers, and recognized him as Blue Fox. Turning, she fixed her
eyes on a middle-aged man who was dancing as sedately as Washington
might have led the minuet, his handsome face calm of line and the clip
of his lips genial and placid. Plainly the ferocity did not extend to
the dancers; the singers alone seemed to express hate and lust and war.
Public-domain text, read in full here on John Shaqi.
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