Scotland -- History -- James II, 1437-1460 -- Fiction
The lady who personated the Virgin in this strange procession was said
to be very beautiful, so Gray pressed vigorously forward to obtain a
glimpse of her; and his resolute aspect, his scarred face and athletic
form, his long sword and shirt of mail, repressed even the officious
petulance of the men-at-arms, who would have thrust him back as a
stranger, or one who was unknown to them; and little Maître Baudoin
profited by this influence to secure a good place, and rubbed his hands
with nervous ecstasy.
On came the marching monks with the glittering throne, and Sir Patrick
Gray could see that they bore up a beautiful female figure, clad in
robes of the greatest value--for gold, silver, and precious stones
were lavished in their adornment, while a glory, composed of diamonds,
sparkled and blazed around her sweet young face, which expressed,
alternately, alarm, awe, and pleasure at the scene below, and the part
she felt so honoured by enacting before so vast a multitude.
Maître Baudoin, who clung to the skirt of Gray's pourpoint, uttered
loud exclamations of rapture; but the Captain of the Guard was
voiceless as one whom Heaven had stricken dumb; for how great was his
bewilderment, how deep were his emotions, how profound his surprise,
on recognizing in the damsel who was borne past on that brilliant
throne, as our Lady of Antwerp, the features of Murielle Douglas--his
own Murielle--whom he fondly believed to be far away in the wilds of
Galloway!
CHAPTER XXIV.
MAÎTRE BAUDOIN.
Thou seest we are not all alone unhappy;
This wide and universal theatre
Presents more woeful pageants than the scene
Wherein we play in.--AS YOU LIKE IT.
Sir Patrick Gray so entirely lost his self-possession, that he was
rapidly swept away, jostled, tossed and pushed here and there, by a
rush of the crowd, who were making off to another part of the city
where the procession would again be seen as it passed; so, after
futilely struggling, and even fighting in some instances, he found
himself in a dark street near one of the many bridges of the Scheldt,
which flows through Antwerp by no less than eight channels, and there
he paused, alone and breathless, with one hand pressed on his brow and
the other on his sword.
Was it a dream, or a phantom raised by his nerves or organs of vision
being disturbed by the terrible wounds he had received, and by the long
and feverish hours of illness and agony he had endured in the castle of
Edinburgh?
Again and again he asked this question of himself, without being able
to resolve the matter satisfactorily.
Public-domain text, read in full here on John Shaqi.
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