“From England, Captain, you must steer a Course directly to Madeira, Land the casks of salted beef, Then away to Teneriffe. Pray be careful, cool, and wary With the merchants of Canary. When you leave them make the most Of the trade winds to the coast. Down it you shall sail as far As the land of Calabar, And from there you’ll onward go To Bonny and Fernando Po”---- and so on for four pages. The captain, instead of treasuring up this little gem, called at the office next day, and demanded with quite unnecessary warmth what the thing meant, and I was compelled to translate it all back into prose. On this, as on other similar occasions, my employer took me severely to task--for he was, you see, a man entirely devoid of all pretensions to literary taste! All this, however, is a mere preamble, and leads up to the fact that after ten years or so of drudgery I inherited a legacy which, though small, was sufficient to satisfy my simple wants. Finding myself independent, I rented a quiet house removed from the uproar and bustle of London, and there I settled down with the intention of producing some great work which should single me out from the family of the Smiths, and render my name immortal. To this end I laid in several quires of foolscap, a box of quill pens, and a sixpenny bottle of ink, and having given my housekeeper injunctions to deny me to all visitors, I proceeded to look round for a suitable subject. I was looking round for some weeks. At the end of that time I found that I had by constant nibbling devoured a large number of the quills, and had spread the ink out to such advantage, what with blots, spills, and abortive commencements, that there appeared to be some everywhere except in the bottle. As to the story itself, however, the facility of my youth had deserted me completely, and my mind remained a complete blank; nor could I, do what I would, excite my sterile imagination to conjure up a single incident or character. In this strait I determined to devote my leisure to running rapidly through the works of the leading English novelists, from Daniel Defoe to the present day, in the hope of stimulating my latent ideas and of getting a good grasp of the general tendency of literature. For some time past I had avoided opening any work of fiction because one of the greatest faults of my youth had been that I invariably and unconsciously mimicked the style of the last author whom I had happened to read. Now, however, I made up my mind to seek safety in a multitude, and by consulting _all_ the English classics to avoid?? the danger of imitating any one too closely. I had just accomplished the task of reading through the majority of the standard novels at the time when my narrative commences.