As the story developed it became more unreal and Maggie's unerring knowledge of the difference between sense and nonsense refused to credit the tall handsome villainness who confronted the Charity girl at the ball. The Charity girl had no right to be at the ball and people stood about in unnatural groups and pretended not to listen to the loud development of the plot and no one seemed to use any of their faculties. Then at the end, when the middle-aged gentleman nobly surrendered his Charity girl to the handsome soldier, the little tune came back again and all was well. They came out of the theatre into lights and shadows and mists cabs and omnibuses and crowds of people ... Maggie clung to Martin's arm. It seemed to her, dazzled for an instant, that a great are of white piercing light cut the black street and that in the centre of this arc a tree, painted green, stood, and round the tree figures, dark shapes, and odd shadows danced. She shaded her eyes with her hand. The long shining line of Shaftesbury Avenue ran out, from her feet, into thick clusters of silver lights. The tree had vanished and now there were policemen and ladies in hats and strange mysterious houses. She caught above it all, between the roofs, the pale flat river of the evening sky and in this river stars like golden buttons floated. The moon was there too, a round amber coin with the laughing face stamped upon it. "What time is it?" she asked Martin. "Half-past five," he said. "How early the moon rises. It's only climbing now. See the chimney's tossing it about." "I must get home."