About Grace Trenchard Maggie was not quite so sure. She was kindness
itself and liked to hold Maggie's hand and pat it--but there was no
doubt at all that she was just a little bit tiresome. Maggie rebuked
herself for thinking this, but again and again the thought arose. Grace
was in a state of perpetual wonder, everything amazed her. You would
not think to look at her flat broad placidity that she was a creature
of excitement, and it might be that her excitement was rather
superficial. She would say: "Why! Just fancy, Maggie! ... To-day's
Tuesday!" Then you wondered what was coming next and nothing came at
all. She had endless stories about her adventures in the streets of
London, and these stories were endless because of all the details that
must be fitted in, and then the details slipped out of her grasp and
winked at her maliciously as they disappeared. The fact was perhaps
that she was not very clever, but then Maggie wasn't very clever
either, so she had no right to criticise Miss Trenchard, who was really
as amiable as she could be. Henry Trenchard said once to Maggie in his
usual scornful way:
"Oh, Grace! ... She's the stupidest woman in Skeaton, which means the
stupidest woman in the world."
The Trenchards, Maggie thought, were rather given to scorning every one
save themselves. Even Philip, who was not a Trenchard, had caught the
habit. Katherine, of course, despised no one and liked every one, but
that was rather tiresome too.
In fact at the end of her first week Maggie thought that as soon as
possible she would find a room for herself somewhere and start to earn
her living. She discovered that she was developing a new sensitiveness.
When she was living with the aunts she had not minded very seriously
the criticisms made upon her; she had indeed been disappointed when
Aunt Anne had not admired her new dress, and she had hated Amy
Warlock's rudeness, but that was because Martin had been involved. This
new sensitiveness worried her; she hated to care whether people laughed
at the way she came into a room or whether she expressed foolish
opinions about books and pictures. She had always said just what she
thought, but now, before Philip's kindly attention and Mr. Trenchard
senior's indulgence (he wrote books and articles in the papers), she
hated her ignorance. Paul Trenchard knew frankly nothing about Art. "I
know what I like," he said, "and that's enough for me." He liked
Watts's pictures and In Memoriam and Dickens, and he heard The Messiah
once a year in London if he could leave his parish work. He laughed
about it all. "The souls of men! The souls of men!" he would say. "That
is what I'm after, Miss Cardinal. You're not going to catch them with
the latest neurotic novel, however well it's written."
Oh, he was kind to her! He was kinder and kinder and kinder. She told
him everything--except about Martin. She told him all about her life at
St. Dreot's and her father and Uncle Mathew, the aunts and the Chapel.
Public-domain text, read in full here on John Shaqi.
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