The Card, a Story of Adventure in the Five TownsBennett, Arnold
General
The Card, a Story of Adventure in the Five Towns
Bennett, Arnold
Adventure stories; City and town life -- Fiction; Staffordshire (England) -- Fiction
The road thereabouts was lonely. A canal ran parallel with it at a
distance of fifty yards, and on the canal a boat was moving in the
direction of Hanbridge at the rate of a mile an hour. Such was the only
other vehicle in sight. The outskirts of Knype, the nearest town, did
not begin until at least a mile further on; and the Countess, dressed
for the undoing of mayors and other unimpressionable functionaries,
could not possibly have walked even half a mile in that rich dark mud.
She thanked him, and without a word to her servants took the seat beside
him.
III
Immediately the mule began to trot the Countess began to smile again.
Relief and content were painted upon her handsome features. Denry soon
learnt that she knew all about mules--or almost all. She told him how
she had ridden hundreds of miles on mules in the Apennines, where there
were no roads, and only mules, goats and flies could keep their feet on
the steep, stony paths. She said that a good mule was worth forty pounds
in the Apennines, more than a horse of similar quality. In fact, she was
very sympathetic about mules. Denry saw that he must drive with as much
style as possible, and he tried to remember all that he had picked up
from a book concerning the proper manner of holding the reins. For in
everything that appertained to riding and driving the Countess was an
expert. In the season she hunted once or twice a week with the North
Staffordshire Hounds, and the _Signal_ had stated that she was a
fearless horsewoman. It made this statement one day when she had been
thrown and carried to Sneyd senseless.
The mule, too, seemingly conscious of its responsibilities and its high
destiny, put its best foot foremost and behaved in general like a mule
that knew the name of its great-grandfather. It went through Knype in
admirable style, not swerving at the steam-cars nor exciting itself
about the railway bridge. A photographer who stood at his door
manoeuvring a large camera startled it momentarily, until it remembered
that it had seen a camera before. The Countess, who wondered why on
earth a photographer should be capering round a tripod in a doorway,
turned to inspect the man with her lorgnon.
Public-domain text, read in full here on John Shaqi.
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